4.3.2.1 2010 123movies

Watch: 4.3.2.1 2010 123movies, Full Movie Online – While Jo (Roberts) is chained down in a dead end supermarket job, her friends are all out on their own separate adventures: Cassandra (Egerton) is jetting off to New York to meet her Internet boyfriend; Kerrys (Warren-Markland) is on a one woman crusade fighting for female liberation and Shannon (Lovibond) is on a one way trip to meet her maker. But a chance encounter with some diamond thieves sends their separate worlds on a collision course with not only each other, but fate itself. These 4 girls are about to have 3 days they will never forget, spanning to 2 cities. That is … if they survive..
Plot: Jo is chained down in a dead end supermarket job while all her friends are all out on their own separate adventures. But a chance encounter with some diamond thieves sends their separate worlds on a collision course with not only each other, but fate itself.
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Ratings:

	5.8/10 Votes: 10,799
	37% | RottenTomatoes
	N/A | MetaCritic
	N/A Votes: 169 Popularity: 8.265 | TMDB

Reviews:

Check your pringles!
It’s not because I’m British. It’s not because I’m a fan of Tamsin Egerton. It’s because this films is brilliantly directed and the screenplay is solid.

This film captured me from the beginning. The concept of four girls, total opposites, yet it’s thoroughly believable that they’re best friends. How their lives, though completely different are connected through the use of diamonds.

The acting. Although some can be seen as stupid because it’s more comical, I don’t think I could fault many of the actors as it was terribly convincing. Tamsin Egerton, after seeing her in Keeping Mum and St Trinians has proved herself to be a rising star, although she seems to play similar characters, she still excels. Emma Roberts, I couldn’t quite accept her driving a car, as she looked far too young compared to the other cast members yet she still gave a good performance. Ophelia Lovibond is very shaky throughout the film and sometimes unconvincing in her anguish but she still gives a satisfying performance. Shanika Warren- Markland is, I guess offers comic relief in the film and is a direct link to the diamond heist yet we never really focus on the diamonds. Her character is believable and funny. The rest of the cast are very good, with a few surprising faces it is also the fun of spotting who you know as well as getting involved with the story.

The direction. I have never seen ‘Kidulthood’ or ‘Adulthood’ so I didn’t really know what to expect, I deemed those films to be ‘not my taste’ and so I’v never watched them but after seeing this film, I certainly want to have a look at them both. There are many jump cuts and it seems to cut too fast at times, but that, I think adds to the tension and mirrors your feelings of not knowing what is going on. The quick cuts help you feel like the characters, confused even though it’s happening right before you. The way it’s edited with it being an almost portmanteau film adds to the tension and suspense as you can only really piece together everything that’s happened in the very end; very amusing and well pieced together.

I would believe those who have called it average will be big fans of American clean-cut cinema. This film offers many ambiguous techniques which is brilliant and quite rare in most mainstream Hollywood films. This film, to me, is new, clever and slick, the way the script works is brilliant and the way it is edited and filmed is superb. The worst thing about this film is that I think is that it’s highly under-rated. I don’t often slate people for having bad tastes in film but if you really dislike this film you need to take a break from James Cameron and open your eyes to British and alternative cinema.

This film is a rare diamond. Not to be called average and not to be overlooked.

Shocking
4.3.2.1 seems to think it’s a hip, fresh, non-linear Brit crime thriller, a work of originality and verve. After all, the man behind it is Noel Clarke, who in KIDULTHOOD and ADULTHOOD made a pair of decent and modern urban dramas. Sadly, everything about this movie is a huge mistake, and it ends up as an extraordinarily superficial copy of Tarantino’s masterwork PULP FICTION.

The major problems with this film are the story and script, which both go nowhere. The “leads” are a group of dim, twentysomething girls living in London, their stories told individually and linking up at various points. Sexual exploitation, robbery, lesbianism and family drama are some of the topics covered, but they’re all handled in the most mundane and unengaging way imaginable.

It doesn’t help that the characters are puerile, obsessed with the shallow pursuit of pleasure and thus giving the viewer no reason to get behind them. There’s an unwelcome whiff of exploitation to the proceedings with one character (Shanika Warren-Markland) forced to spend the majority of her screen time in her underwear.

The performances are terrible, particularly from the ultra-grating Emma Roberts (an actress who only exists thanks to nepotism) and the aforementioned Warren-Markland, although CAMELOT’s Tamsin Egerton isn’t much better. The format is peppered with more seasoned actors like Sean Pertwee and Kevin Smith, but they also ring hollow thanks to the moronic dialogue they’re handed out. 4.3.2.1 truly is a stupid and offensively crass piece of movie-making.

Other Information:

Original Language en
Runtime 1 hr 57 min (117 min)
Budget 4600000
Revenue 1163967
Status Released
Rated Not Rated
Genre Crime, Thriller
Director Noel Clarke, Mark Davis
Writer Noel Clarke
Actors Emma Roberts, Tamsin Egerton, Ophelia Lovibond
Country United Kingdom
Awards 1 win & 3 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix N/A
Aspect Ratio 2.35 : 1
Camera Arricam ST, Zeiss Master Prime Lenses
Laboratory N/A
Film Length N/A
Negative Format 35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219)
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (3-perf) (source format)
Printed Film Format 35 mm (anamorphic), D-Cinema