Across the Hall 2009 123movies

Watch: Across the Hall 2009 123movies, Full Movie Online – The unbalanced Terry calls his best friend Julian that is having a bath telling that his beloved fiancée June is cheating him. Terry has followed her to the decadent Riverview Hotel, where she checked in to meet her lover in room 507. Terry explains to Julian that he brought a revolver to shoot her lover and is waiting for him in room 508, but his friend asks him to be calm that he will meet Terry in the hotel..
Plot: Convinced that his fiancee is cheating on him, a man follows her to a hotel and calls his best friend to help him avoid a calamity.
Smart Tags: #hotel #murder #stolen_pistol #betrayal #bellhop #man_tied_to_a_chair #innocent_man #based_on_short_film #dominatrix #hitman

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Ratings:

	5.9/10 Votes: 4,529
	N/A | RottenTomatoes
	N/A | MetaCritic
	N/A Votes: 90 Popularity: 7.709 | TMDB

Reviews:

A modern Hitchcock throwback
One of those films, where the least said about the plot the better, so in an attempt to refrain from giving any spoilers I boil it down to one sentence. Julian (Mike Vogel) attempts to stop his best friend Terry (Danny Pino) from any making any rash choices after he follows his fiancée June (Brittany Murphy) rent a room at the River View hotel.

Given the low IMDb ratings I didn’t really expect much from this below-the-radar thriller. The movie itself is heavily influenced by two great directors. One of them is Alfred Hitchcock. The attempt at replicating the style of 50s and 60s thrillers is visibly apparent not only in the cinematographic style ripe with noir overhead shots, neons, stylisations and a need to push the suspense and tension ahead of action and cheap thrills. The whole movie itself if an old-fashioned hotel with a outdated bell-boy playing a key part in the build-up and story. Overflowing with a retro feel it becomes a stylish homage aimed at those who miss the good old days.

On the other hand you can see the strong impact that Christopher Nolan has in updating the thriller genre and fully using the superior technical capabilities of modern film art to increase the mystery, growing tension and keep tabs on the plot. The whole story is expertly told in a non-linear fashion, where scenes from the past and present intermingle forcing you to logically put the pieces together (in a well-done mix-up of Innaritu storytelling and “Memento” type editing). Directed with swagger debutant Alex Merkin shows a lot of confidence and immense promise with the use of tools at his disposal.

That said the movie does seem a tad overlong and given this was based on Merkin’s short film it seems he essentially should have met somewhere in between at around 60-70 minutes. The movie tends to drag on incredibly as the script is pulled out in order to somehow reach a proper running time. The suspension drastically drops, although manages to get back on track with the final resolute bang of an ending. Basically a poster movie for the need to be able to be a bit shorter than the standard 90-120 minutes of the Hollywood ‘full length feature’.

Honestly the script itself is in the most part wildly predictable, as the movie is mostly pushed ahead thanks to its style, while not putting enough pressure on the story itself. The mismatch of the mediocre story and the overstretched plot almost derails the meticulous set-designed and claustrophobic noir feel to the movie.

Acting creds are generally fine with Brad Greenquist as the Porter giving the best performance of the lot. All in all worth a watch and I could see Merkin making a name for himself given a script with actually can fill-up the required runtime.

A modern Hitchcock throwback
One of those films, where the least said about the plot the better, so in an attempt to refrain from giving any spoilers I boil it down to one sentence. Julian (Mike Vogel) attempts to stop his best friend Terry (Danny Pino) from any making any rash choices after he follows his fiancée June (Brittany Murphy) rent a room at the River View hotel.

Given the low IMDb ratings I didn’t really expect much from this below-the-radar thriller. The movie itself is heavily influenced by two great directors. One of them is Alfred Hitchcock. The attempt at replicating the style of 50s and 60s thrillers is visibly apparent not only in the cinematographic style ripe with noir overhead shots, neons, stylisations and a need to push the suspense and tension ahead of action and cheap thrills. The whole movie itself if an old-fashioned hotel with a outdated bell-boy playing a key part in the build-up and story. Overflowing with a retro feel it becomes a stylish homage aimed at those who miss the good old days.

On the other hand you can see the strong impact that Christopher Nolan has in updating the thriller genre and fully using the superior technical capabilities of modern film art to increase the mystery, growing tension and keep tabs on the plot. The whole story is expertly told in a non-linear fashion, where scenes from the past and present intermingle forcing you to logically put the pieces together (in a well-done mix-up of Innaritu storytelling and “Memento” type editing). Directed with swagger debutant Alex Merkin shows a lot of confidence and immense promise with the use of tools at his disposal.

That said the movie does seem a tad overlong and given this was based on Merkin’s short film it seems he essentially should have met somewhere in between at around 60-70 minutes. The movie tends to drag on incredibly as the script is pulled out in order to somehow reach a proper running time. The suspension drastically drops, although manages to get back on track with the final resolute bang of an ending. Basically a poster movie for the need to be able to be a bit shorter than the standard 90-120 minutes of the Hollywood ‘full length feature’.

Honestly the script itself is in the most part wildly predictable, as the movie is mostly pushed ahead thanks to its style, while not putting enough pressure on the story itself. The mismatch of the mediocre story and the overstretched plot almost derails the meticulous set-designed and claustrophobic noir feel to the movie.

Acting creds are generally fine with Brad Greenquist as the Porter giving the best performance of the lot. All in all worth a watch and I could see Merkin making a name for himself given a script with actually can fill-up the required runtime.

Other Information:

Original Language en
Runtime 1 hr 33 min (93 min)
Budget 0
Revenue 0
Status Released
Rated R
Genre Horror, Mystery, Thriller
Director Alex Merkin
Writer Alex Merkin, Jesse Mittelstadt, Julien Schwab
Actors Mike Vogel, Danny Pino, Brittany Murphy
Country United States
Awards N/A
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital, DTS (5.1)
Aspect Ratio 1.85 : 1
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format 35 mm
Cinematographic Process N/A
Printed Film Format N/A