Blue Caprice 2013 123movies

Watch: Blue Caprice 2013 123movies, Full Movie Online – An abandoned boy is lured to America and drawn into the shadow of a dangerous father figure. Inspired by the real-life events that led to the 2002 Beltway sniper attacks..
Plot: A narrative feature film inspired by the events known as the Beltway sniper attacks.
Smart Tags: #true_crime #timeframe_2000s #sniper #serial_killer #lawyer #prison #car #man_boy_relationship #color_in_title

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Ratings:

	5.9/10 Votes: 5,868
	84% | RottenTomatoes
	76/100 | MetaCritic
	N/A Votes: 86 Popularity: 5.589 | TMDB

Reviews:

A Portrait of a Doomed Bond and Disillusionment Gone Awry
Those who demand easy answers in movies and clear cut motives from its characters will likely find Blue Caprice an unfulfilling and distant character study, one which centers on the Beltway Sniper attacks that left Washington paralyzed for three weeks in 2002. The brilliance of director Alexandre Moors feature debut, in addition to quietly powerful performances from its two main leads, is that it offers no definite answers as to why this massacre transpired. True to life, speculation as to motive ranges from plans to divert attention from the planned murder of one of the assailant’s ex wife, revenge against the U.S. government, terrorist ties and general anarchy. Discovering what ultimately drives these monsters is unimportant in the context of this film, but rather it’s the troubling and empty journey these men take down the path of evil that is so compelling.

Taking on the notorious gunmen John Allen Muhammad and Lee Boyd Malvo are Isaiah Washington and Tequan Richmond and both deliver nuanced and disturbing performances but with varying approaches. We witness a differing speed at which these two finally become the savages which made global headlines – these are individuals with which we both see deeply into but at the same time know nothing about. The way these actors and director are able to make enigmas out of its antagonists without resorting to painting them as faceless monsters is an extraordinary feat.

Channelling Idris Elba in the best ways, Washington does Oscar level work as a broken man whose anger and disillusionment manifests in the worst possible way. Between his work on Grey’s Anatomy and supporting work in some higher profile fare, he has never really been given the chance to stretch his dramatic legs and he shows how capable he can be when given the spotlight. He plays off young Tequan Richmond with aplomb, with the promising North Carolina native truly coming into his character in the final act after long sequences of shyness and inwardly directed sadness. Among the most disquieting scenes comes when John teaches Lee how to drive, an act between father and son that is considered to be one of the most important bonding experiences of growing up. In knowing what is to come, it takes on a whole new (and ultimately very disturbing) meaning.

Aside from inherently being a taut and troubling scenario the way the tension and narrative drive is brought to the forefront is also noteworthy especially when the outcome is so widely known. When we first meet with Malvo (and to a lesser extent Muhammad) we see them as damaged but salvageable individuals – those given an unfair stab at life but who could display redemptive qualities if given the chance. As we see Malvo fall further and further under the manipulative spell of his surrogate father, and who in turn finds fuel in his adoptive son, it’s hard to watch not simply because of their actions but where we know this is all headed. In wanting so much for these lost souls to find an honest meaning in life and see them both missing and avoiding them, the dread and tension ratchets up organically and with an impact you won’t soon shake.

Moors also makes the sound decision never to distort or falsely heighten the actual acts of the shootings. Seeing a man in the throws of death in a pool of blood at the base of a gas pump is powerful enough without seeing these two perpetrate every single act. So to does the choice to not magnify the scope of the crimes with fictionalized getaways or close calls in their titular vehicle. The barrel of a gun sticking out of a trunk and an off screen shot does more than enough in the ugly world we’re introduced to in Blue Caprice. There are certainly moments of graphic violence interspersed throughout but they’re handled in a brief and ugly manner that serves to showcase the emptiness of it all.

Based on the subject matter and the recent horrific gun based acts that have rocked America as of late, Blue Caprice will no doubt bring up the hot button topic of gun control, with some likely looking at the film as a call for help and others as pro liberal pandering meant to take a past tragedy and use it as propaganda. In both instances they would be not only wrong but missing the point of this drama, or rather the pointlessness of these men’s actions. Could this act have been avoided with tighter gun laws? Likely. But Blue Caprice has no such pretensions and simply paints a disturbing portrait of men on the edge of reality.

Both as a showcase for the skill of the filmmakers and actors and an examination of the flourishing emotional void this duo carries with them every day, Blue Caprice succeeds and does so in manner that will leave you exhausted and troubled. In having so much to hate on screen there is so much to love about this confident inaugural feature, one which worrisomely shows that the loss of one’s humanity can begin with a single act.

Not what I expected – The film focused mainly on John and Lee’s initial meeting
I cannot fault the first rate acting of the three main characters. The father John Allen Muhammad (then aged 42) played by Isaiah Washington, separated from his children, who was sour on life and straddled with a restraining order against him from being anywhere near his ex-wife, the young lad from Antigua Lee Boyd Malvo (then 17) played by Tequan Richmond that John brings back to the U.S. to commit his murderous spree, and John’s friend and fellow gun owner Ray, played by Tim Blake Nelson. This is a true story and although all of North America’s televisions audiences were glued to their TV’s 24 hour news station between October 02, 2002 until that fateful morning on October 24, 2002, when John and Lee were discovered sleeping in their blue Caprice car at 3:15 a.m. in the morning, and then the world breathed a sigh of relief.

Surprisingly the film did not focus on this 22 day period of random shootings and the fear it spread across the United States. Instead the first hour or so of the film was dedicated to providing us the audience with insight on how John Allen Muhammad recruited his young naive accomplice Lee Boyd Malvo who had no father figure in his life and was basically abandoned by his mother with no food or money to fend for himself back in Antigua. It seemed too easy for the adult John Allen Muhammad to manipulate the much younger and love starved Lee Boyd Malvo to accept the role of sniper and murderer.

I would like to bring to your attention a comparison of how in 2005, the legal system went very hard on this young naive black man aged 17 sentencing him to six consecutive life terms without the possibility of parole. Now compare this harsh sentence to the pathetic light sentence that occurred in 2013, of ten years probation and no jail time for a then 17 year old white caucasian Ethan Anthony Couch from Texas who while driving impaired killed four (4) innocent bystanders who were assisting a stranded motorist on the side of the road that this drunk and under the influence of drugs ran over and killed. Two passenger’s in Couch’s truck that he was driving also suffered bodily injury, one with complete paralysis. His parents were millionaires and their costly legal team defended this despicable killer with a defence that their (very rich) client suffered from a term called “affluenza”. After fleeing the country illegally to Mexico and witnessed drinking and partying Ethan Anthony Couch was brought back to Texas and served a two year prison sentence.

I am not disputing that both of these young men are responsible for the deaths they caused but without knowing which if these criminals was white or black skinned I am quite sure we could all ascertain by their imposed sentences which was the poor black youth and which was the rich white youth.

As for Blue Caprice the acting by Isaiah Washington, Tequan Richmond and Tim Blake Nelson was superb. The background story of how John Allen Muhammad manipulated and intimidated the much younger parent less Lee Boyd Malvo was understood and I would have preferred the film would have captured more of the documented details of how these two criminals plotted, some times executed and other times abandoned their plan of another random execution all in an effort to somehow cover up that John Allen Muhammad’s real intention was to kill his ex-wife and throw the police forces off that this was his sole purpose in the first place. The resulting damage attributed to these two killers was the 10 non fatal injuries and 17 deaths attributed to what is now known as the Beltway killers.

Other Information:

Original Language en
Runtime 1 hr 33 min (93 min)
Budget 0
Revenue 0
Status Released
Rated R
Genre Biography, Crime, Drama
Director Alexandre Moors
Writer Alexandre Moors, R.F.I. Porto
Actors Isaiah Washington, Tequan Richmond, Tim Blake Nelson
Country United States
Awards 2 wins & 13 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix N/A
Aspect Ratio 2.35 : 1
Camera Arri Alexa Plus, Zeiss Ultra Prime Lenses
Laboratory The Mill, USA (color correction)
Film Length N/A
Negative Format SxS Pro
Cinematographic Process Digital Intermediate (2K) (master format), ProRes 4:4:4 (1080p/24) (source format)
Printed Film Format 35 mm (anamorphic), D-Cinema