Die Hard 2 1990 123movies

Watch: Die Hard 2 1990 123movies, Full Movie Online – After the terrifying events in LA, John McClane (Willis) is about to go through it all again. A team of terrorists, led by Col. Stuart (Sadler) is holding the entire airport hostage. The terrorists are planning to rescue a drug lord from justice. In order to do so, they have seized control of all electrical equipment affecting all planes. With no runway lights available, all aircraft have to remain in the air, with fuel running low, McClane will need to be fast..
Plot: Off-duty cop John McClane is gripped with a feeling of déjà vu when, on a snowy Christmas Eve in the nation’s capital, terrorists seize a major international airport, holding thousands of holiday travelers hostage. Renegade military commandos led by a murderous rogue officer plot to rescue a drug lord from justice and are prepared for every contingency except one: McClane’s smart-mouthed heroics.
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Ratings:

	7.1/10 Votes: 361,793
	69% | RottenTomatoes
	67/100 | MetaCritic
	N/A Votes: 4891 Popularity: 38.911 | TMDB

Reviews:

A Total Thrill Ride
Bruce Willis takes a lickin’ and keeps on tickin’, nearly outdoing himself in one of the great actioneers of our time. DIE HARD 2 has everything a true action fan could ever want: explosions, chases, plot twists, suspense, drama and all that other good stuff.

Just two years after his last near-death adventure, John McClane (what a great action hero name) battles bad guys who take over an airport’s communication system around the holidays. Unless their demands are met, they will unceremoniously plummet planes to the ground one by one — including one on which Mrs. McClane (Bonnie Bedelia) is a passenger. Of course Johnny, he of wise-cracking ways, is the only one who can save the day.

Like its predecessor, set almost entirely in a skyscraper, DIE HARD 2 makes the most out of its setting. McClane is as multi-purpose as can be, chasing mercenaries through luggage conveyors, grasping onto aircraft wings, running out onto the runway and, in a truly awesome scene, ejecting from a plane a split second before it bursts into flames. Throw in a snowmobile chase, the standard trip through the air ducts and a legitimate, interesting motivation for the crooks and you have a total thrill ride guaranteed to recharge your batteries.

Efforts like DIE HARD 2 won’t win any major awards, but they’ll do what films are supposed to do: thrust us into another world and entertain us. This is truly Willis and director Renny Harlin at their best.

Die Harder–And More Violently
The 1988 action thriller DIE HARD was such a huge critical, commercial, and artistic success that it was probably inevitable, given Hollywood’s mentality that there is never too much of a good thing, that a sequel would follow. The result, thus, is DIE HARD 2.

Bruce Willis returns as John McClane, who on this Christmas Eve is at Dulles International Airport in Washington awaiting the arrival of his wife (Bonnie Bedelia) from Los Angeles. Flights, however, are being delayed all across the board into D.C. by one of the biggest blizzards on record. And when Willis spots Army mercenaries in sensitive areas of the airport where nobody is supposed to go, his cop instincts take hold. As it turns out, these mercenaries are led by a hard-nosed right-wing colonel (William Sadler) whose aim is to snatch a known Latin-American drug dealer (Franco Nero) from the hands of U.S. justice agents. Their reason, as Sadler puts it, is because he had “the guts to stand up against Communist aggression.” To prove his point, Sadler and his minions shut the entire airport down, putting all those planes in the snowbound skies over the nation’s capital in mortal peril, until Nero’s military plane arrives. The result is a battle in more ways than one, as Willis must not only tangle with Sadler’s gang, but also with an incompetent airport cop (Dennis Franz) who thinks Willis is a lunatic.

Very solid acting from Willis, as well as Fred Dalton Thompson and Art Evans, who portray the two sympathetic airport officials, helps DIE HARD 2 remain leagues ahead of the majority of testosterone-laden action flicks. But many of the same flaws that were in DIE HARD 1 creep up here again. To paint the airport cops as incompetent buffoons just so that Willis can be the hero of the piece is grossly inaccurate and offensive. Even the media, in the guise of the ultra-obnoxious Dick Thornberg (William Atherton), gets slammed, and not in a very fair or accurate fashion. And the violence and language in DIE HARD 2 are far more pervasive than the original, with at least two scenes (the icepick to the eye; and Sadler’s ex-commander [John Amos] getting sucked into the engine of the getaway 747 at the end) approaching extreme in terms of bloodshed, and the use of the ‘F’ word approaching SCARFACE in terms of occasions when it is used.

Still, there is plenty of suspense and tension to be had here, with the direction of Renny Harlin evincing, at times, the feel of a Spielberg or Peckinpah at their edge-of-the-seat best. Michael Kamen’s score, which interpolates Jean Sibelius’ “Finlandia” at the end, is also a plus.

The verdict is that DIE HARD 2: DIE HARDER is not an unflawed film, but one can certainly do much worse.

Other Information:

Original Language en
Runtime 2 hr 4 min (124 min)
Budget 70000000
Revenue 240031094
Status Released
Rated R
Genre Action, Thriller
Director Renny Harlin
Writer Steven E. de Souza, Doug Richardson, Walter Wager
Actors Bruce Willis, William Atherton, Bonnie Bedelia
Country United States
Awards 2 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix 70 mm 6-Track (70 mm prints), Dolby Stereo (35 mm prints) (4 channels), Stereo (RCA Sound Recording)
Aspect Ratio 2.20 : 1 (70 mm prints), 2.39 : 1
Camera Arriflex 35 III, Panavision Primo, C- and E-Series Lenses, Panavision Panaflex Gold II, Panavision Primo, C-, E-Series and Nikon Lenses, Photo-Sonics 4ER, Panavision C- and E-Series Lenses
Laboratory DeLuxe, Hollywood (CA), USA (color)
Film Length 3,367 m (7 reels)
Negative Format 35 mm (Eastman EXR 500T 5296)
Cinematographic Process Panavision (anamorphic)
Printed Film Format 35 mm (Eastman 5384), 70 mm (blow-up) (Eastman 5384), 8 mm