Elektra 2005 123movies

Watch: Elektra 2005 123movies, Full Movie Online – In the ultimate battle between good and evil stands a warrior who makes the choice that tips the balance. A strong, mysterious and a deadly sexy action heroine – a lethal synthesis of grace and power. Not long after recovering from seemingly mortal wounds, Elektra has severed all ties with the world, living only for her next assignment. But in an unexpected turn of events, she is forced to make a decision that can take her life in a new direction – or destroy her. Key players in Elektra’s journey are Stick, a blind martial arts master responsible for Elektra’s “resurrection,” and Mark Miller and Abby Miller, a father and daughter on the run from The Hand, a powerful syndicate whose members practice the dark version of the martial art Kimagure..
Plot: Elektra the warrior survives a near-death experience, becomes an assassin-for-hire, and tries to protect her two latest targets, a single father and his young daughter, from a group of supernatural assassins.
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Ratings:

	4.7/10 Votes: 93,628
	11% | RottenTomatoes
	34/100 | MetaCritic
	N/A Votes: 2066 Popularity: 20.149 | TMDB

Reviews:

Underrated
I think this movie isn’t liked because it takes liberties with all source material. I’ve come to realize all movies do this so I stopped judging movies because of changes. Plus I never read the comics so I can enjoy it for what it is instead of of be mad for what it isn’t. If you you can enjoy it for what it is you will have fun.

A superb but ‘difficult’ comic book film
Elektra (Jennifer Garner), a “superhero hitperson” when the film begins, is sent on a routine mission where she has to arrive a couple days early. Since the mission is in a relatively remote, pastoral island location, and she is renting a huge house by herself, she has time–too much time, she begins to feel–to reflect on her life. Contrary to her norm, she even becomes slightly friendly with neighbors. Shortly after, she is given the final, surprising, instructions for her hit, but she has second thoughts, choosing to protect her target instead. The plot concerns background of the hit, how and why Elektra protects the target, and becomes gradually more complex as other parties are revealed to be involved, too.

My final score for Elektra was a 10 out of 10, but it wasn’t easy getting there. Unlike most comic book movies, this is a “difficult film”. The plot is complexly constructed, with nothing being spelled out very clearly until the viewer is far into the film. It also has a subtext hinging on moral ambiguity, making the film very gray, both literally and figuratively. Because things aren’t explained well in the beginning, shortly into the film I had a sinking feeling that it might end up being a disaster. However, by the time you cross the finish line, the complex structure and context of the film are not only comprehensible, but also dazzling and necessary.

As the narration in the beginning of the film states, this is a story set in a world where there are constant battles between good and evil, on many different levels, from large-scale wars to personal struggles within a single individual. This theme is woven throughout much of the film, leading to the moral ambiguity mentioned above, and even dictating the production design and cinematography. At the beginning of the film, Elektra is a hired assassin who makes no distinction between good and evil. Only later do we learn how she got to that point, and one of the overarching themes of the film is Elektra’s redemption, which was put into motion with the aid of others, over many years, in ways that she (as well as the audience) does not realize until the end of the film. Although it would be easier for the audience to understand the film if Elektra’s background were made explicit from the start, it wouldn’t have the same eventual impact. In fact, it would tend to make the film more maudlin than what it is–a thought provoking moral exploration.

The plot can also be seen as a metaphor for childhood dreams and parental investment and sacrifice for children, which are often shattered once innocence is lost and one has to deal with a pragmatic deflation of ambition and the often-brutal realities of the adult world. On this interpretation, it may be no coincidence that the “bad guys” are those who are still living in a magical reality, whereas the “good guys” are those who achieve spectacular results through years of learning and honing more down-to-earth skills.

On a more superficial level, Elektra is a relatively fast-paced, fantasy-oriented actioner/thriller, loaded with suspense at the right moments, good performances, great direction, intriguing special effects and exciting fight scenes. I was particularly fascinated with the “bad guys” and their abilities, and also with Elektra’s mentor. I’d love to see all of them explored more in other films (perhaps in a prequel of two to the events depicted here). I also hope we’ll get sequels dealing more with Elektra and Abby Miller (Kirsten Prout).

As a 10, of course Elektra is worth watching, but it’s important to not be impatient with the film while watching it. It seems messy and maybe even slightly vacuous for the first 20 minutes or so, but that’s because of a necessary angle of approach for accomplishing something unusual and valuable that couldn’t otherwise be achieved.

Other Information:

Original Language en
Runtime 1 hr 37 min (97 min), 1 hr 40 min (100 min) (director’s cut)
Budget 43000000
Revenue 56681566
Status Released
Rated PG-13
Genre Action, Adventure, Crime
Director Rob Bowman
Writer Mark Steven Johnson, Frank Miller, Zak Penn
Actors Jennifer Garner, Goran Visnjic, Will Yun Lee
Country Switzerland, Canada, United States
Awards 2 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix DTS (DTS HD Master Audio 5.1) (5.1 Surround Sound) (5.1), Dolby Digital (Dolby Digital 5.1) (5.1 Surround Sound) (5.1), SDDS (8 channels) (5.1 Surround Sound) (5.1), D-Cinema 48kHz 5.1 (D-Cinema prints) (5.1 Surround Sound) (5.1)
Aspect Ratio 2.35 : 1
Camera Arriflex 435, Panavision C-Series Lenses, Panavision Panaflex Platinum, Panavision C-Series Lenses
Laboratory DeLuxe, Hollywood (CA), USA, Modern VideoFilm, Burbank (CA), USA (digital intermediate)
Film Length N/A
Negative Format 35 mm (Kodak Vision2 Expression 500T 5229), 35 mm (Kodak Vision2 500T 5218, Vision 250D 5246)
Cinematographic Process Digital Intermediate (2K) (master format), Panavision (anamorphic) (source format)
Printed Film Format 35 mm