Gangs of Wasseypur – Part 1 2012 123movies

Watch: गैंग्स ऑफ़ वास्सेपुर पार्ट – १ 2012 123movies, Full Movie Online – Shahid Khan is exiled after impersonating the legendary Sultana Daku in order to rob British trains. Now outcast, Shahid becomes a worker at Ramadhir Singh’s colliery, only to spur a revenge battle that passes on to generations. At the turn of the decade, Shahid’s son, the philandering Sardar Khan vows to get his father’s honor back, becoming the most feared man of Wasseypur..
Plot: Shahid Khan is exiled after impersonating the legendary Sultana Daku in order to rob British trains. Now outcast, Shahid becomes a worker at Ramadhir Singh’s colliery, only to spur a revenge battle that passes on to generations. At the turn of the decade, Shahid’s son, the philandering Sardar Khan vows to get his father’s honor back, becoming the most feared man of Wasseypur.
Smart Tags: #revenge #blood #gun #abuse #gangster #violence #india #satire #cigarette #cult_film #kidnapping #fight #cigarette_smoking #family_relationships #train_robber #corruption #murder #based_on_true_story

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Ratings:

	8.2/10 Votes: 96,677
	97% | RottenTomatoes
	89/100 | MetaCritic
	N/A Votes: 280 Popularity: 9.562 | TMDB

Reviews:

The movie of the year
It has been nearly 5 years since I went and saw a movie first day first show in the theatres. But such was the level of anticipation with “gangs of wasseypur” that I found myself standing in front of the ticket counter at quarter to nine. The movie, which is 160 minutes long, starts with a shoot-them-up which may be the most authentic shoot-to-kill scene in Hindi cinema. The movie tells the story of rivalries between different sects of Muslims: the butchers, Qureshis, and the Pathans, Khans and extend over a period of three generations. The story starts from the pre- independence era when the British owned the mines in Dhanbad. After independence, these mines pass on to the wealthy landlord who hires an exiled Pathan to act as his strongman. The pathan, the father of Sardar Khan (Manoj Vajpayee) has been kicked out of his village, Wasseypur, after a confrontation with the local musclemen, the Qureshis, and is now forced to work in the mines of Dhanbad. He starts becoming too big for his shoes and is bumped off by the landlord thus beginning a series of killings and counter-killings. The acting by the “star” cast is stunning with Manoj Vajpayee leading the pack in as good as a performance as “Bheeku Mahatre” in Satya. When he stares lustfully at the back side of Reema Sen (here resurrected after being in the wilderness for nearly half a dozen years), you can feel the lust as a physical thing. He is backed by a very strong ensemble cast. The real strength of the movie is its dialogues. The words, replete with the choicest of abuses, feel as if they were wiretapped. The conversation rings true to life and had me laughing at the sheer vulgarity of it. The patois is captured very faithfully. The only negative point about the movie is its length which could have been edited somewhat in the second half when the third generation takes up (like the long Godfather III, if you may). Anurag Kashyap has put his soul into the movie and that is visible from every frame of the movie. The direction is the best I have seen this year in Hindi cinema and will only increase the expectations from the second part of this opus. And that is why I am jealous of the lucky bastards at the Cannes film festival who got to see both the parts back to back. The movie ends at a tantalizing junction and the prospect of meeting with these barely lovable characters for a second outing left me salivating.

“Here, even a pigeon flies with one wing, and uses the other to guard his innocence.”
The movie takes place in Dhanabad, a district of Jharkand in India, and is a fictionalized account of real events. Spanning generations as it does, it perhaps carries greater resonance for Hindi film goers than a Western audience. I found it difficult to relate to the characters and situations, and didn’t get a sense of epic adventure that other reviewers on this board seem to express. Certainly not as it relates to the nearly five and a half hours required to tell it’s story. One notable difference I noticed from other Indian movies was the unnecessary reliance on musical sequences of any kind, which for a film like this would probably have been inappropriate anyway. Be that as it may, I would have appreciated a shorter film, and since it relies on characteristics of The Godfather Saga, might have better served as a movie with a sequel or two.

Other Information:

Original Language hi
Runtime 5 hr 21 min (321 min) (2 parts)
Budget 1400000
Revenue 4100000
Status Released
Rated Not Rated
Genre Action, Comedy, Crime
Director Anurag Kashyap
Writer Akhilesh Jaiswal, Anurag Kashyap, Sachin K. Ladia
Actors Manoj Bajpayee, Ashish Chhipa, Richa Chadha
Country India
Awards 19 wins & 61 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital EX, Datasat
Aspect Ratio 2.35 : 1
Camera Arriflex 435 Xtreme, Arriflex 535
Laboratory N/A
Film Length 321 m
Negative Format 35 mm
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (source format)
Printed Film Format 35 mm (anamorphic), D-Cinema