Guys and Dolls 1955 123movies

Watch: Guys and Dolls 1955 123movies, Full Movie Online – All the hot gamblers are in town, and they’re all depending on Nathan Detroit to set up this week’s incarnation of “The Oldest Established Permanent Floating Crap Game in New York;” the only problem is, he needs $1000 to get the place. Throw in Sarah Brown, who’s short on sinners at the mission she runs; Sky Masterson, who accepts Nathan’s $1000 bet that he can’t get Sarah Brown to go with him to Havana; Miss Adelaide, who wants Nathan to marry her; Police Lieutenant Brannigan, who always seems to appear at the wrong time; and the music/lyrics of Frank Loesser, and you’ve got quite a musical. Includes the songs: “Fugue for Tinhorns,” “Luck Be a Lady,” “Sit Down, You’re Rocking the Boat.”.
Plot: Gambler Nathan Detroit has few options for the location of his big craps game. Needing $1,000 to pay a garage owner to host the game, Nathan bets Sky Masterson that Sky cannot get virtuous Sarah Brown out on a date. Despite some resistance, Sky negotiates a date with her in exchange for bringing people into her mission. Meanwhile, Nathan’s longtime fiancée, Adelaide, wants him to go legit and marry her.
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Ratings:

	7.1/10 Votes: 17,933
	91% | RottenTomatoes
	77/100 | MetaCritic
	N/A Votes: 188 Popularity: 7.511 | TMDB

Reviews:

I think I used to like musicals more than I do now, or else I am more particular about them. I wasn’t over impressed with this classic. The acting was credible and the plot jumped along nicely. It oh, the music. When they jump into song, you are not supposed to wish they were still speaking, are you? And it wasn’t even the quality of the singing; I don’t have all that a discerning ear for music. The songs just didn’t appeal to me, andnthatbisnthe point with a musical, right?

Perhaps it is just me. Maybe I have listened to the pulse station on Sirius satellite too long and I require a hook to pull me in.

I’ve always been a bad guy, and a bad gambler. From now on, I would like to be a good guy, and a good gambler. I thank you.

Guys and Dolls is directed by Joseph L. Mankiewicz and collectively adapted to screen from the play by Mankiewicz, Jo Swerling, Abe Burrows and Damon Runyon. It stars Marlon Brando, Jean Simmons, Frank Sinatra, Vivian Blaine, Robert Keith, Stubby Kaye, Sheldon Leonard, B.S. Pully and Johnny Silver. Music is by Frank Loesser and cinematography by Harry Stradling Sr.

Gambler Nathan Detroit (Sinatra) has few options for the location of his big craps game. Needing $1,000 to pay a garage owner to host the game, Nathan bets Sky Masterson (Brando) that Sky cannot get virtuous Sarah Brown (Simmons) out on a date. Despite some resistance, Sky negotiates a date with her in exchange for bringing people into her mission. Meanwhile, Nathan’s longtime fiancée, Adelaide (Blaine), wants him to go legit and marry her.

Having never seen the play I have no frame of reference about the transfer to the big screen. Whilst concurring with the strongly held belief that both Brando and Sinatra are indeed miscast, the former a great actor who can barely sing, the latter a great singer given the wrong character role to play, the pic still comes out in credit for joyful entertainment.

Samuel Goldwyn forked out big money to put the source to the silver screen, and it shows as no expense is spared across the production (though Goldwyn was hugely disappointed with the box office returns). The songs are simple but all hit the foot tapping mark, the dancing choreography superb, while the booming colour photography gladdens the eyes. All told, Mankiewicz, directing his first ever musical, does a fine job.

One has to wonder how much better the pic could have been if MGM had of released Gene Kelly to play Sky Masterson, while in truth the pic is 30 minutes too long. Yet with Simmons and Blaine beguiling, and Stubby Kaye superb, it’s easy to forgive the flaws and just sit back and enjoy the colourful ride. 7/10

It’s chemistry! Enduring and quirky musical
I’m intrigued by the strong sense of favour towards (or sympathy for!) Sinatra in the other reviews here. I’ve read elsewhere that Sinatra never seems to have forgiven anyone for *not* being cast as Sky Masterson.

OK, so who wouldn’t want to be cast as Sky Masterson? – it’s a great part: the charismatic successful gambler who makes a grave mistake when he allows himself to be suckered into a bet, in which he must take Salvation Army Sargeant Sarah Brown on a date to Cuba, or lose. It’s not the money – it’s the pride, but he and she meet their match. Meanwhile Nathan Detroit must juggle his long-suffering fiancée Adelaide with trying to find a spot for a craps game which will make him rich if it doesn’t alienate his fiancée forever first.

The film started life as a series of short stories by Damon Runyon: that’s his unique dialogue you hear, and those are his great character names, and that’s his horse-racing/nightclub/late night gambling world. Then it became a musical, and you can’t help but feel that in film form it never really left the stage. The camera is unusually static and the sets remarkably – and not pleasingly – flat and childlike. Fortunately the music is so great, I don’t care that much.

My absolute favourite thing about this film, though, is the singing and acting of the two non-singers, Brando (as Sky) and Jean Simmons (as Sargeant Sarah Brown). Of course, putting pro singers into these roles would have produced better music; but what surely gets forgotten is that two such excellent actors brought something else to the party instead: what they lacked in vocal talent they more than made up for in gusto, acting ability, and pathos, pathos, pathos. You’re with Sky as he argues with Sarah against reason, steadiness, pipes and safety. You enjoy Sarah’s loosening up under the influence of Cuban “milk”. You feel completely the suddenness and passion of their scene in the courtyard with bells ringing and an hour to go before the plane takes them home. As Sky rightly says, it’s “chemistry”. Pro singers – be they Broadway belters or smooth crooners – can’t necessarily be relied on to make this happen. (And they certainly didn’t.) I read somewhere that Brando criticised Sinatra for not putting all of himself into his role of Nathan Detroit. Sinatra in turn was infuriated by Brando’s four-take acting method. As a Brando fan (does it show?!) I’m bound to take the other side, but I can’t imagine that this film would have been the much-adored classic it is today if Brando and Simmons hadn’t been in it with their wonderful chemistry; Brando’s unpredictability; Simmons’ face, all pink cheeks and brown hair, drunk and ashamed in a Cuban bar. Beautiful. I’ll always want a copy of this film lying around in case I need to feel good again. You’ll forgive me if give some of the Nathan (sleep)talking parts the 100% brush-off though, won’t you? You won’t? Oh, be quiet and have some more of Mindy’s cheesecake!

I love it!
I love this movie. I never realized all of the songs I recognized and sang in school were from this movie. A fantastic mix of singing, dancing and acting. Rich characters that you love from beginning to end. Of course there are better singers than Brando but Brando did hold his own with every tune, and he was the best one for the part with his usual magnificent acting and likability.

Frank Sinatra is in top form and I always love watching the great and stunning actress Jean Simmons. You are in for a great time with this enriching musical. Fun for everyone. Will leave you falling in love with musicals all over again. A Must see!

Other Information:

Original Language en
Runtime 2 hr 30 min (150 min), 2 hr 32 min (152 min) (with overture and exit music)
Budget 5500000
Revenue 0
Status Released
Rated Not Rated
Genre Comedy, Crime, Musical
Director Joseph L. Mankiewicz
Writer Jo Swerling, Abe Burrows, Damon Runyon
Actors Marlon Brando, Jean Simmons, Frank Sinatra
Country United States
Awards Nominated for 4 Oscars. 3 wins & 7 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix 4-Track Stereo (Western Electric Sound System) (magnetic prints), Mono (optical prints)
Aspect Ratio 2.55 : 1
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format 35 mm
Cinematographic Process CinemaScope (as CinemaScope ®)
Printed Film Format 35 mm