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Plot: Out of the dark – this is true for this film both on the story level and in terms of production. A hard-boiled thriller with a high-concept twist set in Berlin, Man from Beirut follows a blind hitman, Momo, as he tries to survive after his emotions have compromised the outcome of his latest „cleaning job“: He encounters a young girl in the wrong place at the wrong moment, but can’t pull the trigger this time – and finds himself on the run alongside fellow hitman Kadir. To make it out of the Berlin night alive, the killer has to turn against an army of former friends and new foes.
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Very nice Neo Noir
Really cool and stylish thriller made in Berlin, loved the photography, academy format b/w, i’m not sure if you really can understand all what’s going on, but that’s not the focus, it’s about the suspense, the style and the story. I discovered so many references to other movies, I loved that. The main character Momo (by Kida Ramadan) reminded me of Belmondo in A Bout de Soufflee. Saw the movie last year at the Festival in Tallinn and now watched it again. Totally worth a second watch…
All style, but no class or substance
One of the stronger aspects of the film is definitely the visual look, but that’s about it. The plot is shallow and doesn’t really hold together. The idea itself might seem ridiculous, and it is, but it could’ve even been believable if done slightly differently. Maybe even if portraying a blind person would’ve been at least halfway decent. Here the blind assassin seems to behave more in the vein of a supernatural Matt Murdock than as an ordinary, blind, middle aged, middle eastern man.
As the film stands, it seems like a silly re-imagining of Léon (1994) or a fan fiction inspired by it. Unfortunately it possesses almost none of the qualities nor charm of it’s legendary counterpart. The film is a cheap copy of noirish action, trying so hard to be stylish but forgetting what it should be all about. Perhaps that’s the result of working mainly on commercials, as is the case with the director Christoph Gampl.
Even though it has many shortcomings I’m positive the film will appeal to some. It’s not inherently a bad production, just a bit lacklustre mix of everything that doesn’t necessarily work together.
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