Moulin Rouge! 2001 123movies

Watch: Moulin Rouge! 2001 123movies, Full Movie Online – The year is 1899, and Christian, a young English writer, has come to Paris to follow the Bohemian revolution taking hold of the city’s drug and prostitute infested underworld. And nowhere is the thrill of the underworld more alive than at the Moulin Rouge, a night club where the rich and poor men alike come to be entertained by the dancers, but things take a wicked turn for Christian as he starts a deadly love affair with the star courtesan of the club, Satine. But her affections are also coveted by the club’s patron: the Duke. A dangerous love triangle ensues as Satine and Christian attempt to fight all odds to stay together but a force that not even love can conquer is taking its toll on Satine….
Plot: A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club’s most notorious and beautiful star.
Smart Tags: #jealousy #heterosexuality #1890s #moulin_rouge #writer #jukebox_musical #two_suitors #paris_france #theater #acting #france #pop_music #nightclub #eiffel_tower_paris #tragedy #title_spoken_by_character #belle_epoque #tragic_ending #two_word_title #henri_de_toulouse_lautrec_character #stockings

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Ratings:

	7.6/10 Votes: 286,283
	75% | RottenTomatoes
	66/100 | MetaCritic
	N/A Votes: 3977 Popularity: 19.541 | TMDB

Reviews:

I could go on why I enjoyed this film – heck, I reviewed this 3 times on Letterbox!
But the one simple word I can best describe Moulin Rouge, is poignant. This film give a poignant feeling whenever I get the chance to see this it. The glits, the glamour, the music & the story. This is the perfect love story.
Ewan McGreggor and Nicole Kidman were terrific.

I recommend this film as a Valentine’s treat!

Moulin Rouge has many things to like about it, but comes off as inconsistent at times.

All of the actors were top notch. I believe it was Nicole Kidman’s best performance of her career. Ewan
McGregor usually doesn’t add a lot of depth to his characters, but in this movie it was ample. Jim Broadbent was charismatic and Richard Roxburgh was a very convincing pervert, right down to his posture. I liked how well they developed each of these characters. The rest of the actors were also excellent, but the story didn’t lend much depth to their character, and they simply came off as a backdrop or environment for the main four, often becoming a writers convenience or becoming a set of eyes we could see through from the outside looking in.

There were so many parts I enjoyed about this movie, more particularly the segments where Kidman and McGregor’s relationship was explored. This made for a great second act of the movie. The first and third act I felt suffered from Baz Luhrmann’s rapid, almost epileptic, editing style. His style is not not for everyone, but particularly in this movie, it didn’t allow for much depth of the movie in the first and third act and came off as flashy and showy. This created pacing issues that I felt if he had slowed down and focused more on the characters instead of fitting as many shots into the move that he could, the story would have flowed a lot better.

The other major inconsistency of the movie was the theme it was building towards, and the theme it ultimately landed on. Throughout the entire movie, they are building a theme of faith in love no matter what the outcome, but the last minute and a half of the movie turns it into a tragedy that I felt was unwarranted and unearned. This would have been a palpable ending if the movie showed the characters doubting that maybe love wasn’t enough, and then a tragedy strikes that proves the point. But instead we have the ending segment that shows us that all this guy’s belief in love was absolutely for not, and that we are left to assume he must have been faking his belief the entire time, because it sure didn’t seem like enough for him. This isn’t about always getting a happy ending, it’s about not getting an ending that was a cheap and quick way to evoke a particular emotion in the audience without really building into. It felt rushed, and again, unearned. (And I’m not talking about the actual event, but more about how the event affected the character.)

Otherwise, I really wanted to enjoy this movie more than I did. An excellent second act with outstanding performances and likable characters, but with the pacing issues and inconsistencies in building a movie that naturally flowed from one idea to the next keeps me from rating it higher. All in all, though, a fairly enjoyable and rewatch able film nonetheless.

I am in love with “Moulin Rouge”!
I have not ever felt for a movie the way I do about “Moulin Rouge.” It is not just a movie…it is a cinematic experience the likes of which I have never before seen. The story, the music, the acting, the visual imagery strikes emotion in me I never before thought possible from a film. It is without a doubt the most brilliant piece of cinematic art I have ever seen. It is dizzy, maddening, beautiful, and heartbreaking! The music is rapturous, and Ewan McGregor and Nicole Kidman’s voices compliment each other and the story perfectly. This movie takes its story to a mythic level and surrounds these two star-crossed lovers with music and imagery that simply will take your breath away. The story is grand, huge, and operatic, as is the music. The brilliant score skillfully weaves many modern, popular songs, and rescores them as the libretto to this grand opera. There are some images in this film unlike anything you have ever seen. And the performances are absolutely incredible, particularly Nicole Kidman’s. I truly felt for these two people, and truly felt that they were in love. My heart broke into a million pieces for them every time I saw this movie, and I’ve seen it 8 times. It’s an absolutely breathtaking, visionary, masterpiece that did not get the credit it deserved by American critics, who seem to complain that every movie is the same. Yet when an original, daring, shocking film like this comes along, they don’t know what to do with it. But then again, this really is not just a film. No mere film could strike me the way this one has, in a way that reaches to the very fibres of my being in a way only “The Wizard of Oz” ever has before. Yes, the story is sad, but what a journey it takes you on! A journey I will be sure to repeat over and over and over again.

Beautiful Parisian Extravaganza!
Moulin Rouge portrays a complicated, passionate and powerful love story, that is also incredibly moving. I am 17, and I thought the film was near-perfect, I mean I loved the overall look of the film with its gorgeous costumes, dazzling choreography and sumptuous cinematography. The script was very poetic, especially when Christian is comparing Satine, the beautiful courtesan to a “sparkling diamond”, and when Toulouse exclaims “I hope the piano is tuned”. The songs are wonderful, particularly “Come What May” and “The Show Must Go On”, and everybody in the cast does their own singing, and I honestly didn’t know Ewen MacGregor could sing, he has an amazing voice. I have heard too many complaints saying there are too many songs, but do bear in mind it is a musical, and to me, being an aspiring singer, music is like poetry, and very often is the best way to describe your mood. I thought the performances were brilliant. Ewen MacGregor is very earnest and likable as always as Christian, and Nicole Kidman is both fabulously sexy and wonderfully tragic as the consumptive Satine, and the character’s death scene was quite heart-rending, and was very reminiscent of the Greta Garbo movie Camille(which I will admit I like more). I also liked the performances of Jim Broadbent as the sympathetic Ziegler and Richard Roxburgh as the wily duke. However there were one or two aspects that were extremely silly, like the hilarious Can Can scene as well as the duet between Ziegler and the Duke, and compared to Jose Ferrer’s more poignant portrayal as Toulouse in the 1952 version, John Leguizamo as the character mayn’t be to everyone’s taste. Overall, a beautiful extravagant film with a 9/10. Bethany Cox

Other Information:

Original Language en
Runtime 2 hr 7 min (127 min), 1 hr 59 min (119 min) (cut)
Budget 52500000
Revenue 179213434
Status Released
Rated PG-13
Genre Drama, Musical, Romance
Director Baz Luhrmann
Writer Baz Luhrmann, Craig Pearce
Actors Nicole Kidman, Ewan McGregor, John Leguizamo
Country Australia, United States
Awards Won 2 Oscars. 87 wins & 132 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix DTS, Dolby Digital, SDDS
Aspect Ratio 1.33 : 1 (Home Video), 2.55 : 1 (Main title shot: End Credits) (Home Video), 2.39 : 1
Camera Panavision Cameras and Lenses, Panavision Panaflex Millennium, Panavision Primo and C-Series Lenses
Laboratory Atlab Film Laboratory Service, Sydney, Australia, DeLuxe, Hollywood (CA), USA (prints)
Film Length (9 reels), 3,549 m (Spain)
Negative Format 35 mm (Kodak Vision 500T 5279, SFX 200T)
Cinematographic Process Panavision (anamorphic), Super 35 (visual effects)
Printed Film Format 35 mm (Kodak Vision Premier 2393)