Reservoir Dogs 1992 123movies

Watch: Reservoir Dogs 1992 123movies, Full Movie Online – Six thugs, who are strangers to each other, are hired by a crime boss, Joe Cabot, to carry out a diamond robbery. Right at the outset, they are given false names with the intention that they won’t get too close and will concentrate on the job instead. They are completely sure that the robbery is going to be a success. But, when the police show up right at the time and the site of the robbery, panic spreads amongst the group members, and two of them are killed in the subsequent shootout, along with a few policemen and civilians. When the remaining people assemble at the premeditated rendezvous point (a warehouse), they begin to suspect that one of them is an undercover cop..
Plot: A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors — veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie — unravel.
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Ratings:

	8.3/10 Votes: 1,015,052
	89% | RottenTomatoes
	79/100 | MetaCritic
	N/A Votes: 12404 Popularity: 34.377 | TMDB

Reviews:

This unique take on the heist-film-gone-wrong was excellent–stylish and intelligently made, yet very funny and inexpensive. Tarantino’s accolades from giving American cinema the resuscitation it needed mirrors what has happened, at least since the 70’s, with Martin Scorsese’s ‘Mean Streets’, both in terms of entertaining violence and usage of music in the scoring of films. I greatly thank Harvey Keitel for taking a chance on Tarantino back then–It paid off in spades.

The cuss-oriented squabbles of lowlife crooks for 99 minutes (and no women)

RELEASED IN 1992 and written/directed by Quentin Tarantino, “Reservoir Dogs” is a crime drama/thriller about a diamond heist gone disastrously wrong in Los Angeles wherein the surviving thugs bicker back-and-forth in a warehouse about which of their members is a police informant. The main thieves are played by Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen and Chris Penn while Lawrence Tierney appears as the old salt mastermind.

This was Tarantino’s first feature film, costing only $1,200,000, and it has quirky glimmerings of future greatness, as seen in “Pulp Fiction” (1994), “Jackie Brown” (1997), “Kill Bill” (2003/2004), “Inglourious Basterds” (2009) and “Django Unchained” (2012), but “Reservoir” didn’t work for me. It’s hampered by a low-budget vibe, which I can handle, but not the uninteresting lowlife characters, their self-made conundrum, their interminably dull dialogue and the one-dimensional setting where about 80% of the story takes place in an old warehouse, not to mention no females in the main cast.

Still, it’s interesting to observe Tarantino’s first serious stab at filmmaking and it has its moments of genuine entertainment. It’s a lesson on humble beginnings, which shows potential while not being up to snuff.

THE FILM RUNS 1 hour, 39 minutes and was shot in Los Angeles & Burbank.

GRADE: C-

Quentin Tarantino begins his directing career with the first of several chronologically mixed, disturbingly violent, and incredibly powerful films.
Reservoir Dogs is a testament to the idea that “less is more.” This doesn’t apply to the violence, the film is extremely violent from beginning to end, but the details of the botched diamond heist, which the entire film is based on, are conveyed only in the dialogue, except for one scene where Mr. Pink (Steve Buscemi) recalls his escape. The whole film takes place after the failed robbery is over, and the mystery that unfolds among the criminal participants is amazing to watch.

This is not a normal crime film. The thing that really sets Reservoir Dogs apart from all of the others is that it is PURE. When you look at the screen, you’re looking at reality. There are no Hollywood actors, there’s no make-up to make them look pretty, there’s little to no comic relief, and most important of all, there’s no goofy romantic subplot clumsily thrown in, a detrimental trademark of so many action films, as well as virtually all Jerry Bruckheimer films. Instead of all of that garbage, Tarantino decided to just present the film as simply and straightforwardly as possible, and by doing that he makes it seem that you’re really looking at a bunch of criminals trying to figure out what to do after a suspiciously failed robbery.

Even though most of the actors were known at the time this film was made, the film was delivered in such a way that you don’t see the actors at all, you only see the brutal characters that they portray. It is genuinely frightening to imagine being in the same room with any of them, and this is a quality that is rarely achieved in any kind of film.

Make no mistake, Reservoir Dogs is among the most violent films ever made, and some scenes are really painful to watch, but the way that reality is captured is something that justifies the violent excesses in this film. The violence is never glorified, nor is the criminal lifestyle. When films are overly violent, they usually get branded as such, but despite the extreme violence, Reservoir Dogs still manages to deliver an important overall message about the consequences of your actions. It remains high on the growing list of Tarantino’s classic films, and it will not be soon forgotten.

Other Information:

Original Language en
Runtime 1 hr 39 min (99 min)
Budget 1200000
Revenue 2859750
Status Released
Rated R
Genre Crime, Thriller
Director Quentin Tarantino
Writer Quentin Tarantino, Roger Avary
Actors Harvey Keitel, Tim Roth, Michael Madsen
Country United States
Awards 12 wins & 23 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Stereo, Dolby Digital
Aspect Ratio 2.35 : 1
Camera Arriflex 35-III, Panavision Primo Lenses, Panavision Panaflex X, Panavision Primo Lenses, Panavision Panaflex Gold, Panavision Primo and Canon Lenses
Laboratory FotoKem Laboratory, Burbank (CA), USA (color)
Film Length 2,724 m (Sweden)
Negative Format 35 mm (Eastman EXR 50D 5245)
Cinematographic Process Digital Intermediate (4K) (2022 remaster), Dolby Vision, Super 35
Printed Film Format 35 mm (anamorphic)