Rosemary’s Baby 1968 123movies

Watch: Rosemary’s Baby 1968 123movies, Full Movie Online – Desiring to start their family, young Catholic homemaker Rosemary Woodhouse and her struggling-actor husband Guy move into The Bramford: New York City’s iconic building that brims with unpleasant stories of obscure dwellers and ghastly occurrences. The young couple is soon befriended by their eccentric next-door neighbors, Roman and Minnie and Castevet; shortly afterward, Rosemary gets pregnant. However, little by little–as the inexperienced mother becomes systematically cut off from her circle of friends–alarming hints of a sinister, well-planned conspiracy start to emerge, enfolding timid Rosemary in a shroud of suspicion and mental agony. Why is everyone so conveniently eager to help? And why is Guy allowing it?.
Plot: A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
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Ratings:

	8.0/10 Votes: 217,984
	96% | RottenTomatoes
	96/100 | MetaCritic
	N/A Votes: 3266 Popularity: 16.057 | TMDB

Reviews:

A Landmark Horror film
“Rosemary’s Baby” is one of the best horror films ever made. This isn’t because it’s going to scare the pants off you with a series of sensational jolts. This isn’t the shallow, gimmicky kind of horror movie we mostly get these days, and it isn’t the traditional old-fashioned horror film of an earlier era. This is a movie that came out during a period of transition in Hollywood. The old production codes were breaking down and films could suddenly be more true to life in the way they showed how people really lived, acted and talked. 1968s “Rosemary’s Baby” is a more sophisticated, less elegant thriller of the kind that Alfred Hitchcock patented, but it displays much more class and intelligence than the horror movies that would come out in its wake. Popular ’70s films such as “The Exorcist” and “The Omen” are the prodigy of “Rosemary’s Baby,” but offer far less nuance and much greater vulgarity. What we get here is a more naturalistic depiction of modern life, but without the crassness that would soon explode into American cinema.

Most of the credit for what makes “Rosemary’s Baby” such a successful film goes to Roman Polanski. Polanski is a master at conveying to an audience not just a sense of the uncanny but a vivid depiction of it. His earlier films like “Knife in the Water,” “Repulsion” and “Dance of the Vampires,” display the talents that would come to such a controlled mastery in “Rosemary’s Baby.”

Polanski very faithfully adapts Ira Levin’s novel to the screen so that the viewer is, just as the reader was, free to interpret the eerie events of the story as either reality or a depiction of an isolated woman’s decent into madness. At the same time the picture can be taken as a black joke on the human male’s fears of the changes a woman goes through during pregnancy, both physically and emotionally. But Polanski seems most interested in presenting a normal world, in this case Manhattan in the mid 1960s, and then through subtle cinematic techniques get an audience to actually believe that the hysterical, fantastic ravings of the heroine could be true. It is this tour de force exercise in suspension of disbelief that makes the film a classic. The horror films that have come since have had to ratchet up the shock effects in order to thrill more desensitized audiences, but this deliberately paced film reminds us of how much better it is to leave things to the imagination of the viewer. That is where films really come alive and remain so.

The Paramount DVD presents an excellent print of the movie that looks as if it were shot yesterday, along with extras that include new interviews with Polanski, executive producer Bob Evans and production designer Richard Sylbert, and a featurette from the time of the film’s original release that really works as a good time capsule.

Other Information:

Original Language en
Runtime 2 hr 17 min (137 min)
Budget 3200000
Revenue 33395426
Status Released
Rated Approved
Genre Drama, Horror
Director Roman Polanski
Writer Ira Levin, Roman Polanski
Actors Mia Farrow, John Cassavetes, Ruth Gordon
Country United States
Awards Won 1 Oscar. 11 wins & 12 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix Mono
Aspect Ratio 1.85 : 1
Camera N/A
Laboratory Technicolor, Hollywood (CA), USA (color)
Film Length N/A
Negative Format 35 mm (Eastman 50T 5251)
Cinematographic Process Spherical
Printed Film Format 35 mm