Ruby Gentry 1952 123movies

Watch: Ruby Gentry 1952 123movies, Full Movie Online – Despite their different social class Ruby and Boake grew up together in the 1950s North Carolina. Ruby Corey lived with her poor family in the swamps while Boake Tackman lived in a mansion with servants. As long as their friendship stayed within the socially acceptable limits no one objected. In adulthood their friendship becomes a mutual romantic attraction. Ruby wants to marry Boake but he only seems interested in romantic play without commitment. Maybe conscious of his social status or maybe being afraid to offend his snobbish family and conservative hometown folk, he marries a rich girl. Out of revenge Ruby marries Jim Gentry, a recently widowed rich old man to whom many townsfolk and local businesses owe money. When Gentry dies in an accident, the town blames Ruby. A now rich Ruby takes revenge on the town’s folk by calling in their debts and loans. The girl from the swamps has become the town’s biggest nightmare..
Plot: A sexy but poor young girl marries a rich man she doesn’t love, but carries a torch for another man.
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Ratings:

	6.7/10 Votes: 1,632
	63% | RottenTomatoes
	N/A | MetaCritic
	N/A Votes: 23 Popularity: 3.476 | TMDB

Reviews:

Snobbery, hypocrisy, and small-minded people
It’s no big surprise that RUBY GENTRY receives such mixed reviews, because the theme of the film will not appeal to small-town America. Ruby is a girl from the wrong side of the tracks, as the narrator at the beginning of the film states. What this is code for in classic Hollywood is not necessarily straight translation. In other words, we are in the realm of a lost art form: the romantic film, or the melodrama. King Vidor was a master of this craft.

Ruby, then, was different. She was a free spirit, an unconventional thinker, and a seductive beauty. This is a lethal combination in the small, conservative town Ruby grows up in. She falls in love, of course, with the ‘popular’ boy, the rich kid, who the most well-bred society girls are after. Of course none of them have anything except their money against Ruby, and Boake (Charlton Heston) knows it! So there is an essential conflict between what Boake wants (Ruby) and what he is expected to have. He, unlike Ruby, is rather weak, and afraid. Deep down he loves her, but he lacks her spirit and wisdom. He won’t go after someone looked down on by the town. He has to be ‘respectable.’ He cares what others think. Ruby does not, so she is willing to fight for him, but at the same time she does not want to be taken for granted. She wants her love to be fulfilled through marriage; he only wants her as a sex object.

I think it is important to note that Ruby Gentry is not necessarily a femme fatale, nor does she necessarily sin. She simply follows her heart. However, a series of accidents, including the death of her wealthy husband, occur, and Ruby is involved in scandal after scandal. The people always choose to believe the worst of her because she represents what they despise: an independent woman with beauty and natural intelligence, and class mobility.

RUBY GENTRY is a masterpiece. King vidor, my favorite director, is at the top of his form. Jennifer Jones, a talented and underrated actress, makes Ruby both sympathetic and believable. Charlton Heston is extremely effective as a complex character–one who on the surface seems shallow, but beneath the surface you can still feel his love for Ruby (which he struggles to hide, or deny).

Boake and his family feel they are above Ruby. Even Ruby’s brother is judgmental and calls her a ‘sinner,’ based on assumptions. The final event in the film is a tragedy, but noteworthy because it was not the fault of Ruby or Boake, but a judgmental, hypocritical, and merciless society, imposing religious and social institutions which hinder us all.

The film is not dated. If anything, it proves melodrama is more effective than realism sometimes, where larger-than-life human emotions are concerned. People who call a movie like RUBY GENTRY ‘trash’ are actually in denial that the theme, and the emotions, are as vividly real and relevant now as ever. Anyone who thinks social class, sex appeal, and money do not count for everything in today’s world, just as then, hasn’t a clue. These are timeless themes, and the relationships in the film, and how they were negatively affected by the prejudice and snobbery around them, can be compared to any number of contemporary homosexual or interracial relationships, among others. How’s that for relevance?

Sometimes the bigger emotions, the tragedies, are more appropriately told in melodramatic terms–because they are serious and heartbreaking and should not be reduced to cinematic language that conveys anything less!

ruby
Jennifer Jones is so big in this film she makes Charlton Heston appear to be underacting – no mean feat! Nonetheless she’s a fascinating actress to watch, and the whole film is fresh. Does it seem like “real life” North Carolina? No, but I don’t really think it matters. It’s an effective, entertaining melodrama that was a big hit in its day.

Ruby Gentry was filmed on location (mostly in rural California), and what a nice, uncomplicated, outdoor feeling the film has. It’s not studio-bound at all, even when the occasional use of process photography is obvious. Who could ever forget that amazing love scene played in the convertible careening down the beach, for example? You can almost feel the fresh sea air and smell the salt water. Heston and Jones, in this and other steamy scenes (at least for the time) make a surprisingly effective team.

Photographed in real light, Jennifer Jones looks just about five years too old for the part; she seems to compensate by overdoing the tomboy aspects, strutting about and speaking too loudly to people standing three feet away from her. Playing a tramp-ish character, a girl from the wrong side of the tracks, she’s hardly as naturally sultry or sexy as, say, Ava Gardner. She works at it, and works a bit too hard, at times. A scene in which she pours coffee for a group of horny guys, where all she has to do is stand there looking good, is played with so many varied facial tics and expressions. She can’t throw away a scene, or a moment.

Yet her performance is appropriate to the character and the film. She commands the screen and is never boring for a second. What’s great about Jennifer Jones is her incredible sensitivity, so that when Ruby is slighted by the people of her town for her low social status, despite (and because of) her marriage to Karl Malden’s wealthy character, her hurt and rage are palpable. She really lives the part. And this drives the film. She has a great deal of life on the screen.

Charlton Heston is great. Looser than usual, calling his girl, “baby.” He doesn’t seem to rely as much on his mellifluous voice this time. He plays a regular American guy. It’s a shame he didn’t get to demonstrate the casual quality of his Boake Teckman, here, in other roles. But I guess when you play Moses and Michelangelo you don’t get that much of an opportunity.

Karl Malden was still pretty new to moviegoers at this time but he became very popular, very fast, after his Oscar winning role in Streetcar. In many ways he’s always reminded me of Spencer Tracy with his sharp yet warm, human portrayals. Unfortunately he didn’t have Tracy’s good looks and wasn’t in line for leading man parts. But that didn’t stop him from becoming a top star. He blends into his part expertly and makes us forget he’s acting. He just seems to be Jim Gentry.

The brilliant director King Vidor went through a long melodramatic period and it was most enjoyable. Ruby Gentry was a highlight.

The score (for harmonica and orchestra) is one of the most memorable things about the film, the theme music became a big hit called “Ruby.”

Other Information:

Original Language en
Runtime 1 hr 22 min (82 min)
Budget 525000
Revenue 0
Status Released
Rated N/A
Genre Drama, Romance
Director King Vidor
Writer Silvia Richards, Arthur Fitz-Richard
Actors Jennifer Jones, Charlton Heston, Karl Malden
Country United States
Awards N/A
Production Company N/A
Website N/A

Technical Information:

Sound Mix Mono (Western Electric Recording)
Aspect Ratio 1.37 : 1
Camera N/A
Laboratory N/A
Film Length (10 reels)
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm