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Smashing the 0-Line 1960 123movies

Smashing the 0-Line 1960 123movies

Jun. 25, 196083 Min.
Your rating: 0
8 1 vote

Synopsis

Watch: 密航0ライン 1960 123movies, Full Movie Online – Two reporters of divergent morals investigate a drug ring, delving deeper into the underworld in the process..
Plot: Katiri is a reporter so ambitiously amoral that he’ll sell out anyone—including his partner and the drug dealer he’s sleeping with—to get a scoop. But what happens when an even more ruthless female gang boss kidnaps his sister?
Smart Tags: #neo_noir #yakuza


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Ratings:

6.3/10 Votes: 150
N/A | RottenTomatoes
N/A | MetaCritic
N/A Votes: 9 Popularity: 1.197 | TMDB

Reviews:

Port of Shadows.
After seeing The Sleeping Beast Within (1960-also reviewed) I checked the notes in the Arrow box set on the title. Intrigued to find it was the first of two movies the film maker did in a row which had a newsroom setting, I got set to break the O-Line.

Note:Review contains spoilers.

View on the film:

The only one in the set to feature a extra audio commentary, Arrow present a shining transfer of a crisp image and clean soundtrack.

Being the one crew member who remained with the director across his Nikkatsu period, editor Akira Suzuk’si collaboration with directing auteur Seijun Suzuki takes a whirlwind progression in their experimental Film Noir stylisation, with a striking French New Wave-flavoured influence of razor sharp jump-cuts, smash-cuts and fluid hand held panning shots getting up-close to Katori’s rush to grab the big story.

Sailing to the rusting port of Yokohoma, Seijun Suzuki lands and continues to explore his major recurring theme from this era of Film Noir pessimism in the outdoor locations of urban Japan.

Suzuki unleashes a storming set-piece tracking Katori (played by a excellent,brittle Hiroyuki Nagao) slithering the docks to a smugglers ship, where Suzuki brings in a smog Film Noir atmosphere, made from shoving Katori and the camera into the piles of coal covering the ship, only picking up Katori to take him down long claustrophobic corridor shots, where black and white grime covers the walls as the shipmates confront Katori when his motives for being on the ship are found.

Reuniting with Suzuki after Eight Hours of Terror (1957-also reviewed) Goro Tanada takes the sliver of hope from The Sleeping Beast Within, and along with Yasuro Yokoyama (the other credited writers are aliases for unknowns) wipes it all out.

The writers present the upstanding morals of fellow journalist Nishina, get stamped over by Katori’s amoral arrogance, which reveals itself when Katori plants drugs on a dame he has just bedded, allows his sister to be abused by gangs, and sees little wrong about working with a drug smuggler, as long as the one thing that remains intact,Is his singular vision to smash the o line.

Review By: morrison-dylan-fan
Port of Shadows.
After seeing The Sleeping Beast Within (1960-also reviewed) I checked the notes in the Arrow box set on the title. Intrigued to find it was the first of two movies the film maker did in a row which had a newsroom setting, I got set to break the O-Line.

Note:Review contains spoilers.

View on the film:

The only one in the set to feature a extra audio commentary, Arrow present a shining transfer of a crisp image and clean soundtrack.

Being the one crew member who remained with the director across his Nikkatsu period, editor Akira Suzuk’si collaboration with directing auteur Seijun Suzuki takes a whirlwind progression in their experimental Film Noir stylisation, with a striking French New Wave-flavoured influence of razor sharp jump-cuts, smash-cuts and fluid hand held panning shots getting up-close to Katori’s rush to grab the big story.

Sailing to the rusting port of Yokohoma, Seijun Suzuki lands and continues to explore his major recurring theme from this era of Film Noir pessimism in the outdoor locations of urban Japan.

Suzuki unleashes a storming set-piece tracking Katori (played by a excellent,brittle Hiroyuki Nagao) slithering the docks to a smugglers ship, where Suzuki brings in a smog Film Noir atmosphere, made from shoving Katori and the camera into the piles of coal covering the ship, only picking up Katori to take him down long claustrophobic corridor shots, where black and white grime covers the walls as the shipmates confront Katori when his motives for being on the ship are found.

Reuniting with Suzuki after Eight Hours of Terror (1957-also reviewed) Goro Tanada takes the sliver of hope from The Sleeping Beast Within, and along with Yasuro Yokoyama (the other credited writers are aliases for unknowns) wipes it all out.

The writers present the upstanding morals of fellow journalist Nishina, get stamped over by Katori’s amoral arrogance, which reveals itself when Katori plants drugs on a dame he has just bedded, allows his sister to be abused by gangs, and sees little wrong about working with a drug smuggler, as long as the one thing that remains intact,Is his singular vision to smash the o line.

Review By: morrison-dylan-fan

Other Information:

Original Title 密航0ライン
Release Date 1960-06-25
Release Year 1960

Original Language ja
Runtime 1 hr 23 min (83 min)
Budget 0
Revenue 0
Status Released
Rated Not Rated
Genre Action, Crime
Director Seijun Suzuki
Writer Michita Sogabe, Gorô Tanada, Itsubei Iga
Actors Hiroyuki Nagato, Yûji Odaka, Mayumi Shimizu
Country Japan
Awards N/A
Production Company N/A
Website N/A


Technical Information:

Sound Mix Mono
Aspect Ratio 2.35 : 1
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format 35 mm
Cinematographic Process N/A
Printed Film Format 35 mm

Smashing the 0-Line 1960 123movies
Smashing the 0-Line 1960 123movies
Original title 密航0ライン
TMDb Rating 6.3 9 votes

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