Stuck in Love 2013 123movies

Watch: Stuck in Love 2012 123movies, Full Movie Online – Meet the Borgens. William Borgens is an acclaimed author who hasn’t written a word since his ex-wife Erica left him 3 years ago for another man. In between spying on Erica and casual romps with his married neighbour Tricia, Bill is dealing with the complexities of raising his teenage children Samantha and Rusty. Samantha is publishing her first novel and is determined to avoid love at all costs – after all she’s seen what it has done to her parents. In between hook ups, she meets “nice guy” Lou who will stop at nothing to win her over. Rusty, is an aspiring fantasy writer and Stephen King aficionado, who is on a quest to gain ‘life experiences’. He falls for the beautiful, but troubled Kate and gets his first taste of love and a broken heart. A tale of family, love (lost and found), and how endings can make new beginnings. There are no rewrites in life, only second chances..
Plot: An acclaimed writer, his ex-wife, and their teenaged children come to terms with the complexities of love in all its forms over the course of one tumultuous year.
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Ratings:

	7.2/10 Votes: 88,577
	58% | RottenTomatoes
	49/100 | MetaCritic
	N/A Votes: 1722 Popularity: 21.4 | TMDB

Reviews:

The quintessential “sweet little indie,” overflowing with authenticity
As I make the festival rounds every year I search for that elusive “sweet little American indie.” I don’t come across them very often, certainly not often enough, but when that moment happens there’s a little pitter-patter in my heart as I know I’m witnessing what could be the launching pad for hot new talent — writers, directors, actors — who will go on to produce exciting, creative work in the years to come. I found that here in “Writers.”

First-time writer/director Josh Boone has crafted an exquisite film which successfully combines several themes that few are able to tackle successfully. Like David Gordon Green’s “Snow Angels,” my #1 Top Pick of 2007 and one of my favorite indies of the past decade, we see three couples struggling to cope with the primordial human connection — the innocence and fear of first love, the seesaw of a mature relationship, and the pain of an estranged couple. Ironically (or perhaps not), “Writers” is privileged to have enlisted Green’s longtime Director of Photography Tim Orr. But this is a much lighter picture than “Snow Angels,” making it especially accessible to young people and families.

Greg Kinnear is William Borgens, the classic what-have-you-done-for-me-lately author who hasn’t had a hit in ages but refuses to allow anyone to sense his self-pity. His wife Erica, played by Jennifer Connelly, is the quintessential partner cast aside at the expense of William’s inattention and indiscretion. Their teenage children Samantha and Rusty, portrayed by Lily Collins and Nat Wolff, are discovering their own offbeat paths into the wacky world they’ve inherited. High school student Rusty, in particular, is a struggling writer himself who is beginning to experience the first frightening pangs of adolescent desire. Dad isn’t the best role model, after all, but this is a father-son relationship that has promise if either or both can get their acts together. Samantha is in college and headstrong in the ways of a young woman determined to control her life and career at the expense of entering the dating scene and submitting to the wants of a man. Enter Lou (Logan Lerman), the earnest intellectual who’ll stop at nothing to win her over.

From top to bottom — Kinnear, Connelly, Collins, Wolff, Lerman — “Writers” is perfectly cast. All inhabit their roles as if they created them. In fact, to some extent, that’s true as the dialogue’s authenticity is at least partly rooted in Boone’s generosity in allowing the actors to improvise some of their material (a technique favored by the aforementioned David Gordon Green, as well). Wolff, in particular, takes advantage of this opportunity to add a good deal of the narrative’s comic relief with his ad-libbed lines. Interestingly, he did the same in last year’s Toronto hit “Peace, Love, & Misunderstanding,” in which he played virtually the same character — a naive youth, physically inexperienced, gently and innocently exploring his potential with the tender yet intimidating opposite sex. Lerman, 19 at the time of filming, played a 15-year-old in his other world premiere selection at this same festival, “The Perks of Being a Wallflower.” In “Writers,” he goes in the opposite direction as a 21-year-old who couldn’t be more different from Perks’ Charlie. In that film, his role is similar to Wolff’s as the vulnerable virgin. Here, he’s a self-assured, bright college student who is destined to charm Samantha off her feet. The fact that he can convincingly portray both these characters in two pictures at the same festival is testament to his talent and versatility. As his would-be suitor, young Lily Collins is an able foil to Lerman’s advances and wins over the audience with her sharp wit.

The adults who anchor the film deserve far more credit than they’re given. Jennifer Connelly, who won an Academy Award opposite Russell Crowe in 2001’s “A Beautiful Mind,” is a beautiful soul inside and out as the wounded spouse who still has a place in her heart for a potentially loving husband. He still holds a torch for her, as well, an intensely personal plot device that could easily lack credulity in the hands of lesser professionals. Oscar-nominated Kinnear proves once again why he is one of the industry’s go-to guys. Few actors handle comedy and drama equally well, and he has no problem convincing the audience as a tormented has-been. He may be down on his luck but retains the earnestness that brought him fame and a loving family not that long ago. He’s poised for a comeback and it’s a role tailor-made for Kinnear.

The film is technically well-balanced between slick Hollywood production values and a relaxed indie look. Bright lighting belies the turmoil beneath the surface. The quaint beach house setting used in many of the scenes is awash with a color palette of earth tones and rustic furnishings, a counterculture milieu befitting this family of intellectuals. Mike Mogis and Nate Wolcott’s score is combined with a soundtrack of indie music featuring Conor Oberst of Bright Eyes, whose attraction to the material led him to write original music for the movie.

Tim Orr is truly a master cinematographer. His signature style is the ability to capture beauty in nature and everyday objects — a dripping gutter here, a playground swing there — and photography that is comforting, enveloping the actors in a warm glow that matches their affections. Nobody does it better. Boone was truly fortunate to have Orr on board.

“Writers” is overflowing with the authenticity of real life. You’ll laugh, you’ll cry — often in the same scene — and, most of all, you’ll empathize with at least one of the characters. There isn’t one of us who hasn’t experienced the feelings and emotions exhibited by the members of this richly complex family. That’s key to this ensemble that features many of our best and brightest young independent film actors. For what I expect a “sweet little American indie” to accomplish, “Writers” is simply perfection.

Incredibly fake nonsense
From the first scene, wherein a grown man crawls in the bushes to see his ex-wife have sex with the blinds open, and his old dog barks at him through the window, and then miraculously appears outside on the lawn and chases him down the street without reason, viewers are “stuck” with a movie so unreal each scene reeks of incongruity with the strength of a dead skunk. This is the kind of movie where teens rip bongs on their roofs, talk casually about sex and suicide with their parents, and make out with obviously 28-year-old dudes in their high school hallway. And of course things GET SERIOUS later on, as if anyone could possibly sit through the duration without considering a post to ripoff report for wasting everyone’s time and money. Perchance if I were Shanghai-ed at sea for weeks on end, I would not finish this movie due to the fact that I would prefer to focus on my own nausea and stare at a puddle of my own vomit.

Other Information:

Original Language en
Runtime 1 hr 37 min (97 min)
Budget 0
Revenue 81071
Status Released
Rated R
Genre Comedy, Drama, Romance
Director Josh Boone
Writer Josh Boone, Rick Bitzelberger
Actors Greg Kinnear, Jennifer Connelly, Lily Collins
Country United States
Awards 2 wins
Production Company N/A
Website N/A

Technical Information:

Sound Mix N/A
Aspect Ratio 2.35 : 1
Camera ALEXA, Arriflex Cameras
Laboratory HTV Illuminate (digital finishing)
Film Length N/A
Negative Format N/A
Cinematographic Process Spherical
Printed Film Format N/A