Watch: La decima vittima 1965 123movies, Full Movie Online – A campy futuristic tale where people hunt one another for sport. In this film, Victim and Hunter run around Italy trying to score a kill in front of the movie crews they arranged so they could make commercials from the footage..
Plot: In the near future, big wars are avoided by giving individuals with violent tendencies a chance to kill in the Big Hunt. The Hunt is the most popular form of entertainment in the world and also attracts participants who are looking for fame and fortune. It includes ten rounds for each competitor, five as the hunter and five as the victim.
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6.6/10 Votes: 4,434 | |
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N/A Votes: 147 Popularity: 9.522 | TMDB |
It’s an Italian Sex Farce, really, but it’s also a fine sci-fi and pop art fantasy
The more serious you get about this movie, the more you are missing the point. It’s an Italian Sex Farce, really, but it’s also a fine pop art film, and a fine science-fiction romp that would be a great double feature with Blade Runner. The review “A wonderful example of 60s pop art film-making,Italian-style”, by jisenhath from New York, New York USA, really nails the essence of this social-satire sci-fi.Like the crocodile tears the sun worshippers cry for the setting sun (satire on religion, of course, though it’s also close to the excesses of the 60’s hippy-dippies doing nature “for real” in 65), the movie is best taken in the vapid, mondo gellato style it revels in.
From the novel by Robert Sheckley (still a great read, too), the “shocking” hunt takes a swipe at the media circus and boredom of excess, while visually reveling in it. The fashion, style and beauty of both Elsa Martinelli and Ursula Andress are a joy, while Marcello works his casual nonchalance and easy timing as the Italian sophisticate at ease with multiple meanings. That’s come to pass, hasn’t it, as we read from this computer on a network spanning the world. Is this a cult we are a part of? If so, don’t cry, but laugh. Like this film does.
Cheesy one review says… no, cheesy is when the film attempts something and does not succeed through taste, budget or in-ineptitude. Opera is not cheesy, but it is ornate, over-the- top and hyper. So is this film. It’s space opera in the operatic sense of La Scala.
It’s spun gold, and a fine bookend to Marcello’s 60’s sex romps like Cassanova 70. (done in ’65 too, a good year for vintage Marcello). Asti Spumante, anyone?
Sheckley, not stirred
Robert Sheckley’s The Seventh Victim is one of those short stories which, along with The Veldt, Sentry and The Test, made dystopian science fiction one of my favorite genres as a teen.La Decima Vittima turns this terrifying tale of a future where murder becomes a social game into a campy farce. A few clever bits aside (probably courtesy of satirist Ennio Flaiano, who has a writing credit), this feels like Blade Runner lampooned by Austin Powers.
Marcello Mastroianni and Ursula Andress costar. Director Elio Petri nailed the oppressive atmosphere appropriate for Sheckley’s classic… but did so in a different movie (his remarkable Indagine Su Un Cittadino Al Di Sopra Di Ogni Sospetto).
At least La Decima Vittima shows how brilliant Truffaut’s Fahrenheit 451 adaptation is: to see how terribly wrong it could have gone, you need to look no further than this.
5/10
Original Language it
Runtime 1 hr 32 min (92 min)
Budget 0
Revenue 0
Status Released
Rated Not Rated
Genre Action, Comedy, Romance
Director Elio Petri
Writer Robert Sheckley, Tonino Guerra, Giorgio Salvioni
Actors Marcello Mastroianni, Ursula Andress, Elsa Martinelli
Country Italy, France
Awards 2 nominations
Production Company N/A
Website N/A
Sound Mix Mono
Aspect Ratio 1.85 : 1, 2.35 : 1 (original ratio)
Camera N/A
Laboratory N/A
Film Length 2,520 m
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm