The Cat’s Meow 2001 123movies

Watch: The Cat’s Meow 2001 123movies, Full Movie Online – In November of 1924, a mysterious Hollywood death occurred aboard media mogul William Randolph Hearst’s yacht. Among the famous guests that weekend were: film star Charlie Chaplin; starlet Marion Davies (who was also Hearst’s mistress at the time); silent-film producer Thomas H. Ince (known for creating the first Hollywood-studio facility and for creating an “assembly line” system for filmmaking); and feared gossip columnist, Louella Parsons..
Plot: Semi-true story of the Hollywood murder that occurred at a star-studded gathering aboard William Randolph Hearst’s yacht in 1924.
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Ratings:

	6.4/10 Votes: 8,483
	76% | RottenTomatoes
	63/100 | MetaCritic
	N/A Votes: 78 Popularity: 5.559 | TMDB

Reviews:

An overlooked Gem that was snubbed by the Oscars
I am abhorred that the Oscars could ignore this film for all the categories it so well deserved:

Best Actress (Kirsten Dunst) Best Actor (Edward Herrmann) Best Costume Design Best Cinematography

And those are just the obvious ones!

Peter Bogdanovich is one of my favorite Directors. He has an amazingly vast Encyclopedia of knowledge about Hollywood during this time. He was good friends with the master Orsen Wells and even did the Commentary for Citizen Cane in Wells’ place. He was unquestionably the perfect Director for putting this story to screen.

Kirsten Dunst is remarkable playing 24 year-old Marion Davies at only 18. She does a superb job in the role and deserved a lot more attention than she was awarded.

I strongly disagree with comments that the supporting cast was bad. Everybody was perfect for their role! The sax player WAS a sax player (not an actor) from Berlin (where most of the movie was filmed) and he did fantastic! (He only had one line for goodness sake!)

Though I would concur that Jennifer Tilly played Louella Parsons a bit unlike we would expect, I support her decision to treat her this way for the sake of this film. She lightened up the film with her bumbling silliness. So what if Lolly wasn’t like that in real life? It worked well for the movie.

My only (slight) complaint was the decision to have one of the flappers briefly flash us (show her chest) during a party scene with her, the other flapper, the sax player and Chaplin. It was unnecessary and felt out of place with an otherwise clean movie. My guess is this was the reason for the PG-13 rating.

There is hardly any language – in fact Bogdanovich changed the film’s only F-word to “screw” to clean it up even more than the original script. This works much better for the period than filling it with 21st century language.

Anybody interested in the 20’s, William Randolph Hearst or ‘The Golden Age of Hollywood’ MUST see this movie!

8½ out of 10. (I can’t decide between 8 and 9!)

A version of a famous Hollywood scandal
No one will ever know what really happened aboard William Randolph Hearst’s yacht on that fateful weekend in 1924. Director Peter Bogdanovich recreates it based on rumors in “The Cat’s Meow,” a 2001 film starring Kirsten Dunst, Edward Herrmann, Cary Elwes, Eddie Izzard, Joanna Lumley and Jennifer Tilly. The weekend in question is a celebration of producer Thomas Ince’s birthday aboard Hearst’s yacht with a guest roster that included Hearst, Marion Davies, Ince, his mistress, Margaret Livingston, Louella Parsons, writer Elinor Glyn, Charlie Chaplin and others. Thomas Ince was removed from the yacht, supposedly ill, and died in his home several days later, supposedly of heart failure. Rumor has it that Hearst, suspecting an affair between Davies and Charlie Chaplin, shot Ince by accident, either mistaking him for Chaplin or because Ince happened to be on the dock at the same time and got in the line of fire. Morning newspapers (not Hearst papers) claimed that Ince had been shot; the evening papers did not carry that story, nor did the Hearst papers. No one who was on board the yacht ever spoke of the incident except in the most ambiguous of ways. Louella Parsons’ column became syndicated in over 600 papers, and she worked for Hearst until she retired; Ince’s mistress Livingston received a whopping increase in salary. She finally retired to manage her husband Paul Whiteman’s band.

That’s the story Bogdanovich goes with, and it makes for a meandering but intriguing story. The “meandering” part is not so much a fault of the film but done on purpose – it’s a weekend yacht party, after all, and Bogdanovich shows us the parties, the conversations and the intrigues of various guests. He captures the atmosphere of the ’20s and the splendor of Hearst’s yacht very well.

It’s hard to say how accurate the actors were with their characterizations; for my part, I don’t know what Charlie Chaplin, Hearst, Glyn or Parsons were really like. From seeing Marion Davies in films and in photographs, Dunst seems too young, though her acting is good. Herrmann I suspect captures Hearst beautifully – powerful, a good host, a sometimes brutal man and very much in love with Marion. (When he saw Citizen Kane, believing that Susan Alexander was based on Marion, he was most upset at the portrayal of Susan as a drunk.) Tilly plays Parsons as if she was an airhead – I believe externally in real life, Parsons did come off as a silly, ineffectual woman, all the better to gain your confidence; in fact, she was an ambitious person who wielded a lot of power. Tilly captures this; in her last scene, Parsons gets down to business and drops a lot of her act. Lumley’s Elinor Glyn is elegant, intelligent and more of an observer (she narrates the film) – I suspect that is true as well. Cary Elwes doesn’t register much as Ince, who is portrayed as a desperate man trying to get his career back on track with Hearst’s help.

Eddie Izzard’s Chaplin is problematic. Physically he seems all wrong – Chaplin was quite good-looking and much slighter than Izzard; Izzard hints at a British accent but doesn’t really come off as very British or very graceful, which Chaplin definitely was. The writing of this character may be incorrect as well, as it’s doubtful that Chaplin would have actually wanted Marion to leave Hearst.

All in all, though it’s not an edge of your seat kind of film, “The Cat’s Meow” is a good film about a fascinating piece of Hollwyood lore. It seems likely that Ince did not die of indigestion, heart failure, or suicide, but that something did happen and the guests were sworn to silence; it’s also more than likely that the police and DA cooperated in covering it up. There is an interesting sidebar to this story – Davies’ secretary Abigail Kinsolving, was considered a suspect in Ince’s death (strange, since he supposedly died of heart failure). She claimed to have been raped by Ince, and it was noted by guests on the yacht that she had bruises on her body. She had a baby some months later and died in a car accident near San Simeon. Two suspicious things there: she was found by Hearst bodyguards, and there was a suicide note that wasn’t in her handwriting. Her orphaned daughter was supported by Marion Davies. Did Kinsolving know too much? Whether she did or not, the rest of us know too little.

Other Information:

Original Language en
Runtime 1 hr 54 min (114 min)
Budget 7000000
Revenue 3646994
Status Released
Rated PG-13
Genre Crime, Drama, Romance
Director Peter Bogdanovich
Writer Steven Peros
Actors Kirsten Dunst, Cary Elwes, Edward Herrmann
Country United Kingdom, Germany, Canada, United States
Awards 1 win & 1 nomination
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital
Aspect Ratio 1.85 : 1
Camera N/A
Laboratory ARRI Film & TV, München, Germany (as Arri Munich)
Film Length N/A
Negative Format 35 mm (Kodak)
Cinematographic Process Spherical
Printed Film Format 35 mm