The Darjeeling Limited 2007 123movies

Watch: The Darjeeling Limited 2007 123movies, Full Movie Online – A year after the accidental death of their father, three brothers — each suffering from depression – meet for a train trip across India. Francis, the eldest, has organized it. The brothers argue, sulk, resent each other, and fight. The youngest, Jack, estranged from his girlfriend, is attracted to one of the train’s attendants. Peter has left his pregnant wife at home, and he buys a venomous snake. After a few days, Francis discloses their surprising and disconcerting destination. Amid foreign surroundings, can the brothers sort out their differences? A funeral, a meditation, a hilltop ritual, and the Bengal Lancer figure in the reconciliation..
Plot: Three American brothers who have not spoken to each other in a year set off on a train voyage across India with a plan to find themselves and bond with each other — to become brothers again like they used to be. Their “spiritual quest”, however, veers rapidly off-course (due to events involving over-the-counter pain killers, Indian cough syrup, and pepper spray).
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Ratings:

	7.2/10 Votes: 200,837
	69% | RottenTomatoes
	67/100 | MetaCritic
	N/A Votes: 2971 Popularity: 17.041 | TMDB

Reviews:

Anderson hits it big with offbeat, quietly affecting effort
Given the trademark quirkiness yet insight into many profound truths of human behaviour one would expect from director Wes Anderson, it should come as no surprise that his latest film, The Darjeeling Limited, demonstrates the majority of these traits with particular flair and distinction, arguably Anderson’s strongest work to date.

The typically disjointed plot details three brothers (Owen Wilson, Adrien Brody and Jason Schwartzman) who, in an attempt to bridge the gap between them, embark on a “spiritual journey” across India by train. Of course, considering Anderson’s tendency towards offbeat comedic situations, and a series of problems involving Indian cough syrup, a poisonous cobra and pepper spray, the journey does not, of course, go as planned, and the brothers are forced to cope with their increasingly difficult situation and each other in turn.

Do not mistake the film for the conventional road trip buddy comedy it may appear to be – Anderson is far too eclectic and clever to subscribe to such traditional fare, and his film is instead a far more emotional effort. With a particular knack for intricate character and storyline development, Anderson’s script carefully doles out tidbits of character history throughout, painting a gradual and remarkably detailed portrait of the central characters as the film progresses. Though the film may drag or feel as if it falls slightly short of its true potential at times, on the whole it is far to easy to be swept up by the film to dwell on such minor concerns.

The gorgeous Indian scenery is captured with particular affection by Anderson’s jarring cinematography and sharp eye for intriguing colour schemes. The film’s wonderfully fitting soundtrack perfectly compliments the sublime visuals, making for one of the most aesthetically pleasing films in recent memory.

The central three actors are the real draw of the film, and all three boast excellent chemistry throughout. Owen Wilson, as usual, is effortlessly funny as spiritually obsessive control freak Francis, but also brings a tragic undercurrent to his character, made more poignant due to recent real life events out of character. A superb Adrien Brody steals the show as the emotionally unstable soon to be father Pete, demonstrating both previously unseen comedic abilities, and genuinely affecting emotional clout. As bitter writer Jack, Jason Schwartzman proves proficient at raising many a laugh, but despite his strong performance is easily overshone by his two co-stars during the film’s dramatic moments. Watch also for amusing cameos from Bill Murray and Natalie Portman (featured more significantly in the film’s 13 minute prequel found online at www.hotelchevalier.com), and a somewhat forced supporting role from Angelica Huston near the end.

Like the rest of Anderson’s other work, audiences will likely either love it or hate it. This is not a typical belly laugh evoking comedy à-la-Superbad – the humour present is more sly and chuckle worthy, and prides itself more on precisely crafted characters and situations than sight gags and one liners. Those willing to appreciate the film for what it is will enjoy an intelligent and touching spiritual meditation on family, and life in general. The joy is in the journey, and a journey as quirky and sentimental as this is one easily worth taking – for those willing to put forth the effort to overcome mainstream expectations, the film will not disappoint.

-8/10

Wes Anderson delivers. Again…
Owen Wilson, Adrien Brody, Jason Schwartzmann as three brothers who haven’t spoken for years, on a train. In India. By Wes Anderson.

It’s a good idea, isn’t it? No…it’s a great idea. Three good actors in three-well written roles in an open, exciting and unpredictable environment, while they’re also stuck with each other in a cramped an uncomfortable train carriage. With more than a little baggage…

However, despite the bright, new and fantastically shot environment and the well-cast new member of the Anderson family, The Darjeeling Limited is what has become a typical Wes Anderson film. Despite its relocation from the suburbs, or more recently, the deep blue sea, it’s still a film about a dysfunctional family and their endeavours to become…slightly more functional. The comedy is derived from sibling tension and the conflicts of the past, and even the music, that typical Anderson blend of quirky yet affecting relatively unknown tracks which is very good and works in all the right ways, feels comfortable and expected despite its “newness”.

I seem to be griping because Anderson’s fifth movie is as good as the others. And in a way, I am. The Darjeeling Limited is the work of a director who has found his groove (or in this case, his track) and doesn’t show signs of trying to get out of it. As a result, not much of it really feels surprising. It’s just as well he’s good at what he does then, isn’t it? It’s the way Anderson handles the family drama that sets Darjeeling apart. While it’s funny in all those idiosyncratic ways, making light of familial relations and awkward interactions, Anderson’s warm, tender approach draws you into the lives of these characters. And, because of their respective flaws and quirks, they become more than characters; you can see them as people.

Anderson’s movies have always had genuine heart buried not too far below the layer of offbeat style, so despite its familiarity, Darjeeling is arguably in this respect his best work. You can see a part of yourself in each of the Whitman brothers, and in cinema there is no substitute for that.

Other Information:

Original Language en
Runtime 1 hr 31 min (91 min)
Budget 16000000
Revenue 24377151
Status Released
Rated R
Genre Adventure, Comedy, Drama
Director Wes Anderson
Writer Wes Anderson, Roman Coppola, Jason Schwartzman
Actors Owen Wilson, Adrien Brody, Jason Schwartzman
Country United States, India
Awards 4 wins & 4 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix SDDS, Dolby Digital, DTS
Aspect Ratio 2.40 : 1
Camera Panavision Panaflex Platinum, Panavision Primo Lenses
Laboratory DeLuxe, Hollywood (CA), USA (prints), Technicolor Digital Intermediates, Los Angeles (CA), USA (digital intermediate), Technicolor, Hollywood (CA), USA
Film Length 2,496 m (Sweden), 2,497 m (Portugal, 35 mm)
Negative Format 35 mm (Kodak)
Cinematographic Process Digital Intermediate (2K) (master format), Panavision (anamorphic) (source format)
Printed Film Format 35 mm