Viva Las Vegas 1964 123movies

Watch: Viva Las Vegas 1964 123movies, Full Movie Online – Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix – once he has the money to buy an engine. He gets the cash easily enough but mislays it when the pretty swimming pool manageress takes his mind off things. It seems he will lose both race and girl, problems made more difficult by rivalry from Elmo Mancini, fellow racer and womaniser. Perhaps some singing will help..
Plot: Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix – once he has the money to buy an engine. He gets the cash easily enough but mislays it when the pretty swimming pool manageress takes his mind off things. It seems he will lose both race and girl, problems made more difficult by rivalry from Elmo Mancini, fellow racer and womaniser.
Smart Tags: #psychotronic_film #drag_race #racecar_driver #racecar #swing_dance #rock_n_roll #swing_music #dancing_the_twist #sexual_harassment #jazz #rock #nevada #vegas #motorcycle #shooting_range #jet_ski #vegas_wedding #sailing #las_vegas_wedding #talent_show #three_word_title

Find Alternative – Viva Las Vegas 1964, Streaming Links:

123movies | FMmovies | Putlocker | GoMovies | SolarMovie | Soap2day

Ratings:

	6.3/10 Votes: 8,278
	87% | RottenTomatoes
	69/100 | MetaCritic
	N/A Votes: 102 Popularity: 11.432 | TMDB

Reviews:

Viva the King and Annie.

Elvis Presley movies, by and large, aren’t very good. Thirty one feature length pictures he made, of which arguably only half a dozen are jointly watchable and entertaining. But even the stinkers have fans, and not just fans of the King in general, also cinema fans happy to embrace the cheese and kind of just run with it. Yet to totally dismiss Presley’s input into the world of cinema is doing a disservice to the small number of movies he made that actually hold up well under scrutiny. One such film is Viva Las Vegas. A film that is of course a frothy hip shaking colourful bonanza, but one that also shows that given a quality co-star to work off, Presley had it in him to move successfully away from the cash cow dirge that his manager Colonel Tom Parker was binding him to.

The plot sees Presley as race car driver “Lucky Jackson” who arrives in Vegas for the Grand Prix that is being held there. But his car is in need of engine repair and he just hasn’t got the money to fix it. Taking a job as a waiter, things are further complicated when he meets sexy pool attendant/dance teacher Rusty Martin N/A. Not only is she spurning his advances, but he has a rival for Rusty’s affection; Count Elmo Mancini (Cesare Danova), who is also a fellow race driver and is set on winning the Grand Prix himself.

That’s really all there is to it, plot simplicity at its finest. Naturally the film is an excuse for Presley to chase the girl, sing some tunes and become a race car hero too. But Viva Las Vegas has a real fun quality that is so lacking in most of his other musicals, it’s vibrant, savvy and, yes, sexy. Due in no small part to the chemistry between Presley and Margret. It’s believed there was an affair between the two, but casting aside that fact, there was also to be a friendship between them both that lasted up until Presley’s sad and untimely death. This film serves as a fitting testament to the birth of that friendship. Old professional George Sidney directs the piece unfussily, even if we perhaps get one too many camera shots of the lovely Miss Margret’s derrière (seriously, see how many rear shots you can spot). While Joseph F. Biroc is on hand for cinematography duties as the Vegas piece is brought to life in Panavision & Metrocolor.

The film is also notable for two other points of worth, it’s one of Elvis’ highest grossing pictures and it contains arguably the best set of songs assembled for one of his film’s. Along with the wonderful title song we also get the likes of “The Lady Loves Me”, “Come On Everybody”, “The Yellow Rose Of Texas”, “The Eyes Of Texas Are Upon You”, “I Need Somebody To Lean On”, “Today, Tomorrow And Forever”, “What’d I Say”, “If You Think I Don’t Need You” & Margret weighs in too with the delightful “Appreciation” & “My Rival”. Oddly, and the subject of much criticism over the passing decades, RCA pretty much ignored the soundtrack for the film. Cutting some highly regarded tunes from the film and failing to truly market and utilise what was on offer. The fools.

With both stars looking and sounding terrific (Presley looks like he is cut from porcelain), and Margret matching the King for energy and ants in your pants dancing, Viva Las Vegas is a ball of fun. An ode to love, joy and music, so really there’s no excuse to not let the Pelvis and the Derriere take you to foot tapping Nirvana. 7/10

Most Elvis movies were the product of a conveyor belt. Quickly written and produced and Elvis was not stretched as an actor or singer.

Viva Las Vegas does not stretch this formula but is fun, thanks in part due to the chemistry between Elvis and Ann Margret.

Elvis plays race car driver Lucky Jackson who is working as a waiter in Vegas so he can pay for a new engine.

He plans to take on aristocratic Count Mancini in the race and both are also competing for the affections of Rusty Martin (Ann Margret).

Jackson and Rusty take part in a talent contest as both aim for first prize. This is where Elvis sings Viva Las Vegas although his dancing moves look a bit weird.

Jackson’s rivalry with Mancini is friendly which adds to the fun.

There is a thrilling racing sequence at the end with several competitors crashing or going off the road.

It is corny and undemanding movie.

“I’d like you to check my motor, it whistles.”
Oh boy, whistle it does in this energetic early 1960’s romp in tinsel town. By association, Ann-Margret fairly or not, came to be known as the female Elvis. Living up to the name, she matches The King here song for song and move for move in what’s basically a musical showcase strung together around a loosely scripted story that’s largely forgettable and unnecessary. It’s a colorful picture, and a travelogue of sorts touching on just about every name casino in Las Vegas of the 1960’s. But you know, I had to wonder about Ann-Margret’s Hoover Dam tutorial during the helicopter ride, with Elvis at the controls. Couldn’t they have come up with something more hip to talk about?

Over the years I’ve had time to consider whether I’m an Elvis fan or not; I like his music for the most part but at the same time, Colonel Tom sure made some bad decisions concerning his movie output. I haven’t seen a lot of them, and my gut feel is that this one stands out a little above the average, with the average being pretty low. But ‘Viva’ probably gives you as good a flavor of the all around Elvis as any, with an energy that’s contagious and fun.

Catching the film on TCM, it was interesting to learn that Ann-Margret was discovered by George Burns at one of the Las Vegas casinos in 1960, so this was like a homecoming of sorts for the singer/dancer/actress. Filming ‘Viva’ led to the prerequisite hush-hush affair with Elvis, even as he was already romantically linked with Priscilla. There was probably more than just a little rumor to it, Presley always honored Ann-Margret whenever she opened a Las Vegas act with a room full of flowers.

Other Information:

Original Language en
Runtime 1 hr 25 min (85 min)
Budget 0
Revenue 0
Status Released
Rated Approved
Genre Comedy, Musical
Director George Sidney
Writer Sally Benson
Actors Elvis Presley, Ann-Margret, Cesare Danova
Country United States
Awards 3 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Mono (Westrex Recording System)
Aspect Ratio 2.35 : 1
Camera N/A
Laboratory MGM Laboratories Inc., Los Angeles (CA), USA (uncredited)
Film Length N/A
Negative Format 35 mm
Cinematographic Process Panavision (anamorphic) (as Panavision®)
Printed Film Format 35 mm