52 Tuesdays 2014 123movies

Watch: 52 Tuesdays 2013 123movies, Full Movie Online – 16-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans to gender transition and their time together becomes limited to Tuesday afternoons..
Plot: Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.
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Ratings:

	6.4/10 Votes: 1,495
	90% | RottenTomatoes
	71/100 | MetaCritic
	N/A Votes: 25 Popularity: 1.238 | TMDB

Reviews:

Excellent independent film with strong performances and touches of humour
The basic storyline of ’52 Tuesdays’ is summarised by IMDb and Wikipedia, so I won’t rephrase this yet another time.

Viewers (like myself) might initially be skeptical of what appears to be a gimmick in the film – all the action takes place on Tuesdays – but after the first 5-10 minutes, it’s clear that some Tuesdays are explicitly weighted more heavily than others, and the film is actually well organised and paced. In fact, the technical constraint of “every Tuesday” allows for novel kinds of intrigue to develop around the lives of the central characters, Billie and James.

The substantial drama of the film revolves around parallel issues relating to gender and identity in the lives of James and Billie, both played by non-professional actors who are utterly convincing (Billie becomes especially interesting in the second half, and James is compelling throughout). There are still only a handful of widely-circulated films around transgender issues, and many focus either explicitly on discrimination or on “coming out” narratives, both of which are extremely important themes rarely considered by Hollywood. Nevertheless, one original feature of this film is its more subtle exploration of James’ own sense of selfhood and intimacy, especially as the medical aspects of transitioning become more complex. The attention paid to shifting familial relationships (including some quite devastating interpersonal crises), as well as the subtle exploration of adolescent sexuality, make for many surprising turns and rewards as the film develops. The film also retains some humour at crucial moments, and benefits from a restrained use of soundtrack, so the drama never feels heavy handed.

It’s also worth noting that as an independent Australian film, certain cinematographic conventions may seem disorienting to viewers not familiar with this form of social realism. Nevertheless, this is not ‘Snowtown’ or ‘Bad Boy Bubby’ – ’52 Tuesdays’ does not exploit graphic sex or violence to shock its viewers, and keeps the focus on character development.

Overall, very strongly recommended.

Excellent independent film with strong performances and touches of humour
The basic storyline of ’52 Tuesdays’ is summarised by IMDb and Wikipedia, so I won’t rephrase this yet another time.

Viewers (like myself) might initially be skeptical of what appears to be a gimmick in the film – all the action takes place on Tuesdays – but after the first 5-10 minutes, it’s clear that some Tuesdays are explicitly weighted more heavily than others, and the film is actually well organised and paced. In fact, the technical constraint of “every Tuesday” allows for novel kinds of intrigue to develop around the lives of the central characters, Billie and James.

The substantial drama of the film revolves around parallel issues relating to gender and identity in the lives of James and Billie, both played by non-professional actors who are utterly convincing (Billie becomes especially interesting in the second half, and James is compelling throughout). There are still only a handful of widely-circulated films around transgender issues, and many focus either explicitly on discrimination or on “coming out” narratives, both of which are extremely important themes rarely considered by Hollywood. Nevertheless, one original feature of this film is its more subtle exploration of James’ own sense of selfhood and intimacy, especially as the medical aspects of transitioning become more complex. The attention paid to shifting familial relationships (including some quite devastating interpersonal crises), as well as the subtle exploration of adolescent sexuality, make for many surprising turns and rewards as the film develops. The film also retains some humour at crucial moments, and benefits from a restrained use of soundtrack, so the drama never feels heavy handed.

It’s also worth noting that as an independent Australian film, certain cinematographic conventions may seem disorienting to viewers not familiar with this form of social realism. Nevertheless, this is not ‘Snowtown’ or ‘Bad Boy Bubby’ – ’52 Tuesdays’ does not exploit graphic sex or violence to shock its viewers, and keeps the focus on character development.

Overall, very strongly recommended.

Other Information:

Original Language en
Runtime 1 hr 54 min (114 min)
Budget 0
Revenue 0
Status Released
Rated Not Rated
Genre Drama
Director Sophie Hyde
Writer Matthew Cormack, Sophie Hyde
Actors Tilda Cobham-Hervey, Sam Althuizen, Imogen Archer
Country Australia
Awards 11 wins & 20 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix N/A
Aspect Ratio 2.35 : 1
Camera Canon EOS 550D (Other), Sony HDV Cameras (Other), Sony PMW-F3 (Primary)
Laboratory N/A
Film Length N/A
Negative Format N/A
Cinematographic Process N/A
Printed Film Format N/A