Cats 2019 123movies

Watch Cats 2019 123movies, Full Movie Online – A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life..
Plot: A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life.
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Ratings:

	2.8/10 Votes: 51,530
	19% | RottenTomatoes
	32/100 | MetaCritic
	N/A Votes: 807 Popularity: 21.193 | TMDB

Reviews:

Sometimes a movie struts its awfulness with such glee that it becomes an enjoyably sadistic pleasure rather than a chore to watch.

Such is the case with “Cats,” the big screen adaptation of Andrew Lloyd Webber’s 1982 musical that became one of Broadway’s longest-running shows. The stage version of “Cats” has grossed over $4 billion dollars, so of course Hollywood had to get their greedy claws in the mix and bring it to the local cineplex (where it promptly flopped). Anyone with a brain could see that all of this would prove to be a huge mistake, because when the source material is god-awful, how would you expect the film to turn out?

Let’s start with the good: the costuming and makeup artistry are both brilliant, if creepy. At first it’s disturbing and laughable to watch humans prance around and groom themselves but it doesn’t take long until you actually start to see them as cats. (And yes, it’s precisely the type of disconcerting feeling that will provide haunting nightmares for years to come). The dancing is beautifully proficient and the choreography creative, with some lovely ballet numbers. Those who enjoy classic theater and dance will find plenty to keep them engaged.

That’s where the positives end.

The movie’s plot closely follows the Broadway play, which means it’s just as awful. The gist is that a tribe of street cats all gather together on the night of the Jellicle moon and perform in a feline talent show so head cat Old Deuteronomy (Judi Dench) can decide which cat is worthy to ascend to a new life. It’s a creepy story that’s made even more disturbing when you stop and think about it.

To keep today’s idiot audiences engaged, director Tom Hooper throws in your standard issue fatty-fall-down slapstick gags and crotch hits that are sure to elicit a tornado of laughter. And although every cast member appears downright terrifying as a human/cat hybrid, the worst is the cameo from Taylor Swift as a sexed-up feline provocateur and purveyor of enchanted catnip. Yikes.

Weber’s repetitive songs are even more grating when translated to the screen (but hey, at least there’s “Memory”). The vocal performances are second-rate too. Jennifer Hudson has become a self-parody with her overacting and oversinging. Hudson’s angsty, tear-filled, snot-flying rendition of “Memory” is hilariously awful. Rebel Wilson‘s tap dance feels like an acid trip gone wrong as she trains her army of child-faced mice to dance for her pleasure (as she gleefully bites live cockroaches with human faces in half as they scream for mercy).

I’m not sure if anyone should see this movie of their own accord, but it absolutely could have legs as a midnight movie a’la Tommy Wiseau’s “The Room.”

Theatrical plays or musicals will not always translate well into filmic language, that’s well known and will not change, because both media are very different by nature. To question it is to deceive yourself.

Personally I’ve never believed that Cats is a great musical but perhaps its success says something else but even so a film adaptation in my view just could not work. I didn’t see how, especially considering the costumes but it was being made so the question now was how it was going to look.

I know there’s already a ”movie” but that’s basically a recording of the play.

Then the trailers appeared and what they showed looked weird, off putting and scary, but the visual work is not always everything in a movie, yet something decisive was being played here.
Eventually the defeat was inevitable.

Cats is full of good intentions but it’s a failure, not only because of terrible work in CGI and how it makes you feel but because it never manages to immerse you in the world of the story and is a bizarre world and I can have fun in bizarre worlds, it’s only that this one is pretty misguided.

I don’t think it’s that huge fiasco that a lot of film critics are saying it is and maybe eventually will find its niche and audience, after all worse films have become cults films, so that can surely happen but right now Cats is simply an idea that didn’t work, that it wasn’t well executed or directed and that although it’s not a monumental catastrophe, it’s indeed a gigantic disappointment.

A disastrous show of pompous and inconsequential gibberish, garish visuals and tedious storytelling
I’ve got nothing against movie musicals, director Tom Hooper, or even anybody who’s a part of making this film. But goodness me, Cats is an absolute monstrosity. Garish, non-sensical, boring and everything in between, it’s a pompous and pointless musical that plays out with barely a redeeming feature, proving one of the most unbearable cinema experiences I’ve had in a very long time.

While I haven’t been a big fan of Hooper’s work in the past, particularly Les Misérables, Cats pales in comparison to anything the director has made before, failing on all levels in its pathetic attempts to provide even a semblance of fun, magical theatre, and instead staggering along through its repetitive and frankly tedious story on its way to a terrible ending that can’t come soon enough.

There’s nothing positive I have to say about this movie. Les Misérables, for all its faults, at least had a degree of spectacle, emotion and drama, whereas Cats is little more than an experiment gone wrong: a horrifying Frankenstein’s monster that attempts to blend modern cinematic techniques with classic West End storytelling.

First, the visual effects are extremely offputting. Whether it’s the uncanny CGI human/cat-like figures, the inconsistent and distracting scaling and sizing issues, or even the plasticky, garish look of the whole film, Cats is a really unpleasant spectacle. And for all of the technical expertise that clearly went into pulling it off, it all feels squandered on a misguided and painfully showy movie.

Next, Hooper’s directing is jagged and meandering throughout. While the screenplay is hardly a work of art, Cats lacks even the slightest bit of show-stopping stage energy, symptomatic of direction that leaves the film wandering aimlessly right the way through.

Hooper’s visual style is uninspiring and unimaginative, the musical and dance numbers are repetitive and dull, and even the biggest, best dramatic set-pieces are completely missing any sort of real presence, instead just fading into the movie’s jarringly inconsistent structure.

The pacing is a massive problem throughout, as the film shirks the need for even a basic three-act structure in exchange for a horribly repetitive yet still inconsistent layout. Basically, for two hours, it goes like this: Dialogue, mini song, big musical number. Dialogue, mini song, big musical number. And repeat. Again and again and again.

In that, Cats proves so boring, so predictable, and clearly so without life that it’s happy to just sit and move you from one musical number to the next. A great movie musical should organically blend song and dialogue, with each complementing the other with the goal of developing the story wherever possible.

Cats is so aimless and repetitive, that the pathetic excuse for a story barely seems to move at any point. Instead, it’s just a vehicle for big West End musical numbers on the big screen, all built up to in jarring fashion that makes each song more awkward than the last.

That story, too, is almost unbearable throughout. I won’t pass judgment on the original stage show, but in the case of this film, the plot is non-sensical, the characters uninteresting, the screenplay unfocused, and the emotion painfully superficial.

A little bit of fantasy is fine by me, but when a film is constantly repeating its fantasy mumbo-jumbo about cats being sent to heaven or something or other, it gives no incentive to keep watching, worsened by a total lack of character focus or even a consistent main lead.

Francesca Hayward plays the young, new cat to join the tribe, so you’d think that she would be the main focus for the story. However, the movie is so distracted by trying to cram in as many A-listers and side characters as possible that the whole thing feels like an endless meet-and-greet, still introducing new characters deep into the latter stages, and not even giving a second to let Hayward’s cat take centre stage.

There’s no story because it barely gets going. For what feels like an hour and a half, the film jumps between random characters’ introductory musical numbers, and then, remembering it has to wrap things up in a two-hour window, abruptly shifts to tying up loose ends that were never really established in the first place.

As a result, despite the immense acting talent on display, none of the characters are memorable, and none play even a leading role for you to connect with at any point. Alongside Hayward, there’s Robbie Fairchild and Laurie Davidson, both of whom seem to be on screen enough to warrant a leading role, but neither even gets the slightest bit of attention from the screenplay.

So, whenever their characters take any sort of role in the main plot, it comes across as sudden and out of left-field, a problem only caused because the movie spends so much time trying to entertain you with A-listers dressed as CGI cats. But even for all the Taylor Swift cameos in the world, it’s surely not worth steamrolling simple character and narrative development.

In short, Cats is an absolute atrocity. From a director with an already wobbly track record in the musical genre, this film is an utter disaster, failing to capture any sense of spectacle or fun, and instead meandering and wandering through a non-sensical, boring and predictable story that’s seemingly used mostly as a platform for some big West End musical numbers and A-list cameos.

There’s nothing good to say about Cats, and unless you really want two hours of pain at the cinema, I suggest you stay as clear as possible.

Strong contender for the worst film ever made
In 25 years this film will have a weird cult following, and an aged James Franco will make a “meta” film about it. Until then, it will remain universally regarded as an utter shambles.

Other Information:

Original Language en
Runtime 1 hr 50 min (110 min)
Budget 95000000
Revenue 73515024
Status Released
Rated PG
Genre Comedy, Drama, Family
Director Tom Hooper
Writer Lee Hall, Tom Hooper, Andrew Lloyd Webber
Actors James Corden, Judi Dench, Jason Derulo
Country United Kingdom, United States, Canada, Australia, Japan, China
Awards 11 wins & 7 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital, Dolby Atmos
Aspect Ratio 2.39 : 1
Camera Arri Alexa 65, Arri Prime DNA, Signature Prime and Tokina Cinema Vista Prime Lenses
Laboratory Goldcrest Post, London, UK (digital intermediate)
Film Length N/A
Negative Format Codex
Cinematographic Process ARRIRAW (6.5K) (source format), Digital Intermediate (2K) (master format)
Printed Film Format D-Cinema