Serenity 2019 123movies

Watch: Serenity 2019 123movies, Full Movie Online – Baker Dill (Matthew McConaughey) is a fishing boat captain leading tours off a tranquil, tropical enclave called Plymouth Island. His quiet life is shattered, however, when his ex-wife Karen (Anne Hathaway) tracks him down with a desperate plea for help. She begs Dill to save her – and their young son – from her new, violent husband (Jason Clarke) by taking him out to sea on a fishing excursion, only to throw him to the sharks and leave him for dead. Karen’s appearance thrusts Dill back into a life he’d tried to forget, and as he struggles between right and wrong, his world is plunged into a new reality that may not be all that it seems..
Plot: The quiet life of Baker Dill, a fishing boat captain who lives on the isolated Plymouth Island, where he spends his days obsessed with capturing an elusive tuna while fighting his personal demons, is interrupted when someone from his past comes to him searching for help.
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Ratings:

	5.4/10 Votes: 41,788
	21% | RottenTomatoes
	37/100 | MetaCritic
	N/A Votes: 1354 Popularity: 15.607 | TMDB

Reviews:

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I will always respect and appreciate the will of a director/writer in trying to do something bold and bonkers. Whether that’s a divisive plot twist, a double-faced character or even an unusual method of filming, it doesn’t really matter, as long as it succeeds. Steven Knight delivers a story that doesn’t feel right from the get-go. Everything feels strange and random, with weird dialogues and awkward hints at something underneath it all. Then, a somewhat predictable plot twist changes pretty much everything since our perspective is entirely different now. However, it sinks the movie even more and creates a whole bunch of incongruencies and plot holes.

The film wasn’t near good before the twist, and it gradually transformed itself into something jaw-droppingly bad, after it. In addition to this, the final message that Steven Knight leaves the audience with, is probably one of the worst ones since The Emoji Movie. “Doing the wrong things for the right reasons” is always going to be a controversial statement, but in this particular case, having in mind what happens in the movie and who does it involve, it’s 100% wrong and I want to believe that Knight didn’t exactly want to transmit this in the way that he did.

There’s an intriguing and meaningful story to be told deep down in this messy screenplay. Behind all of the unnecessary exposition scenes (there’s no need to describe what’s happening since the twist is quite self-explanatory) and cringe-worthy dialogues, there’s a well-structured narrative and an extraordinary concept to be explored. However, I have no idea what happened to the script nor the production and filming stages of the film, but I understand now why its original release date in October was postponed to the traditional January’s garbage. This was supposed to be an Oscar-bait movie: an Oscar-nominated director/writer plus two Oscar-winner protagonists, in a film that seems to be more than what it actually is? I guess the production companies saw this coming and they tried to prevent an even bigger flop.

I’m always the first to defend that a movie without at least “good” technical attributes is rarely one of the best of the year. However, I’m also the first to affirm that if a film fails to deliver a captivating story with compelling characters, there’s no magnificent cinematography or mind-blowing special effects that can salvage it. Serenity doesn’t even have that. Despite me feeling pleased that it was filmed in one-location and that the set design is pretty sweet, the editing is incredibly choppy. It feels like Knight had to remove several cuts in order to reduce the overlong runtime, which wasn’t performed in the best way possible. There are a lot of moments where a character is facing a side, and in the next cut, the former is already facing a completely different one (this particular thing really occurs often).

Regarding the characters, Baker and his son are definitely the ones that we learn more about since their connection is continuously addressed. Like I wrote above, there’s a relevant story behind all of this mayhem, but I did saw (even if briefly) the light at the end of this very dark tunnel. That light is instantly consumed by the darkness as new characters or subplots start to show up, and the hollowness prevails over everything else. Jeremy Strong’s character is baffling ridiculous, Diane Lane (Constance) is one of the dozens of logical reasons why the twist doesn’t work, but the one who annoyed me the most didn’t even show up. You spend a whole movie talking about this one person, like it is going to be a crucial subplot, and then you forget about it. You merely end the film, and it’s like that character was never even mentioned… Why? Why give even more reasons for someone to leave the theater frustrated?

Then, there’s the tone. It’s weird until the twist and weirder after it. Not even Matthew McConaughey or Anne Hathaway can save themselves from some awfully delivered lines. Nevertheless, it’s the cast who saves this wreckage of being an F. McConaughey is a hell of an actor and he demonstrates his outstanding range throughout the runtime. Hathaway has less to do, and I felt that her lines were the worst, but I can’t argue with her ability to deliver any emotion. Jason Clarke (Frank Zariakas) is perfect as the violent father/husband, and Djimon Hounsou (Duke) has some space to shine.

In the end, Serenity tries to go big and bold, but falls astonishingly flat. Plot holes, logical incongruencies, awful dialogues, terrible editing, hollow characters, and neglected subplots. Steven Knight had a great concept and a truly interesting thriller-mystery in his mind, but his execution is shockingly baffling, and the twist transforms everything into something way worse. The final message is the number one reason why I don’t recommend anyone to see this movie, especially if you take teens or kids with you. Matthew McConaughey is good enough to avoid a total disaster, and I know that there was something incredible behind all of this horrible mess. It’s probably going to end up as one of the worst films of 2019, unless we have a truly disastrous year in cinema.

Rating: D-

One of the weirder films I’ve seen recently. And I like weird, I just don’t like… This. Credit where credit’s due though, both Anne Hathaway and Jason Clarke are **one hundred percent** believable in their roles, which is impressive given the setting, and… Terrifying, given their relationship dynamic.

_Final rating:★½: – Boring/disappointing. Avoid where possible._

ambivalent about the twist
Baker Dill (Matthew McConaughey) is a fishing boat captain obsessed with catching one particular tuna fish. He pushes aside his own tour customer to catch the fish and his assistant Duke (Djimon Hounsou) quits. Constance (Diane Lane) gives him money in exchange for sex. His ex-wife Karen (Anne Hathaway) tracks him down despite his fake identity. She is willing to pay him $10 million to kill her husband Frank Zariakas (Jason Clarke) who abuses her and Baker’s son Patrick.

The first half seems to be trying for Hitchcock but various mannerisms and unreality kept dragging it down. One could see the changes needed to keep this on track better. Then the skinny guy shows up with the suitcase. The story takes a left turn. I’m still no in love with the twist. I do appreciate that it made the movie more cohesive. This is not the best. I’d rather have it go straight but I’m willing to give the twist some leeway.

Underrated
This movie is not as bad as some of the reviews on this site suggest. The twist at the end was very different and very original.

Nothing wrong with this movie.

Other Information:

Original Language en
Runtime 1 hr 46 min (106 min)
Budget 25000000
Revenue 14454622
Status Released
Rated R
Genre Drama, Mystery, Thriller
Director Steven Knight
Writer Steven Knight
Actors Matthew McConaughey, Anne Hathaway, Diane Lane
Country United Kingdom, United States
Awards 3 wins & 5 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix N/A
Aspect Ratio 2.39 : 1
Camera Arri Alexa SXT, Panavision C- and T-Series Lenses
Laboratory N/A
Film Length N/A
Negative Format Codex ARRIRAW (2.8K)
Cinematographic Process Digital Intermediate (2K) (master format), Panavision (anamorphic) (source format)
Printed Film Format D-Cinema