Taking Stock 2016 123movies

Watch: Taking Stock 2015 123movies, Full Movie Online – Who hasn’t joked or fantasized about robbing a bank? In Taking Stock, it is done by the most unlikely person: shop assistant/out of work actress Kate. Recently made redundant from her shop job, Kate is inspired by photos of Bonnie Parker. She gathers a gang from her shop assistant friends and comes up with a plot to rob the shop; but where is her Clyde?.
Plot: Kate is an out of work actress working in a shop, until that is, she is made redundant. In a week from hell Kate’s boyfriend leaves her, the shop goes bust and rent and gas bills have not been paid. Inspired by the notorious outlaw Bonnie Parker, Kate gathers a gang from her shop assistant friends and comes up with a plot to rob the shop, but who is her Clyde?
Smart Tags: #f_rated #panties #upskirt

Find Alternative – Taking Stock 2015, Streaming Links:

123movies | FMmovies | Putlocker | GoMovies | SolarMovie | Soap2day

Ratings:

	3.7/10 Votes: 216
	17% | RottenTomatoes
	N/A | MetaCritic
	N/A Votes: 4 Popularity: 1.08 | TMDB

Reviews:

Not Bad. But, Not Memorable
This story line is so simplistic that it really needed something else — anything else — to make up for it. Sadly, that wasn’t forthcoming.

This is a very “meh”, vanilla British movie. The characters weren’t compelling, or even interesting, really, but the acting was okay for a comedy. In fact, it was so middle-of-the-road and good-natured, I almost feel bad nitpicking about it.

I almost laughed a couple of times, but it didn’t quite get there. I think someone was trying really hard to give this a “Bridgitte Jones” vibe, but it just didn’t stick.

If you are looking for a light-hearted (and I mean, really lighthearted) flick to waste an hour or two, this may fit the bill. If, however, you are looking for an intricate plot, developed characters, fantastic cinematography, drama, intrigue, thrills, sex, or serious comedy, you might want to pass on this one.

A film about now…
TAKING STOCK is a film about now, even if its female protagonist has her head in the past.

Or in an oven.

“Times are hard for everyone right now.” And then some.

Kate (Kelly Brook) has just been made redundant, the pseudo-trendy furniture shop she works in is going out of business and her boyfriend has left her for a blank expression with blonde hair. With no money, she does what any desperate women would do in such a situation.

She puts her aforementioned head in the aforementioned oven.

Of course, the stinger is that the gas has been cut off. Even suicide, it seems, costs money in our current economy.

It’s a cracking, throwaway gag, and a dark one too, but the point hits home. Kate is going to need a ‘Plan B’, and, armed with an abiding fascination with Bonnie Parker, not to mention a rather fetching beret, she decides to rip off her soon to be ex-bosses, by robbing the shop safe before the last of the money vacates the premises.

It is around this fun conceit that writer/director Maeve Murphy elaborates on her original short film SUSHI. Slickly shot, with bright, colourful cinematography by Gerry Vasbenter, the hand-held, freewheeling style feels a little like a Richard Lester picture, in terms of it’s energy.

TAKING STOCK is, first and foremost, a comedy, and a charming one at that. And yet, like the best of it’s type, there can be no comedy without tragedy. The film is as much about the desperation of a Britain on the brink of economic disaster, as it is about an OCEAN’S ELEVEN-style heist.

Murphy, whose previous work, BEYOND THE FIRE, had dealt with issues of Catholic guilt and unrequited love, has good form in crafting meaning from mayhem, resulting in a picture that could happily be described as timely. You root for the underdog and damn ‘The Man.’ Kelly Brook, meanwhile, is something of a revelation here.

Given her cinematic track record of sub-standard, genre thrillers and below-par comedies (and I’m looking at you, KEITH LEMON THE MOVIE), she has always seemed like an actress in need of the right part, and indeed, the right director.

I think perhaps Brook has found her perfect match in Murphy, who utilises the more well known facets of Brook’s previous film personas, which generally capitalised on how beautiful she is, and neatly subverts them, allowing Brook the sheer giddy fun of being playful, vulnerable and, above all else, real. There is a sadness to Kate, in her eyes, in the quiet moments when she looks for ways to pay the rent, or simply contemplates ending it all, and yet, on the flip side, a ‘joie de vivre’ with which Brook, smartly, lays any trace of vanity to one side, to be both goofy and soulful. If anything, it makes her more attractive.

She’s a Bonnie without a Clyde, although she has plenty of support from her fellow cast members, particularly Junichi Kajioka as the smartest guy on the stoop. Georgia Groome and Jay Brown are full of plucky charm as Kate’s partners in crime, and Scot Williams is superb as Matt, who is tasked with completing the last of the failing shop’s accounts, and who provides much of the film’s more earnest tone.

And it’s this tonal shift that makes TAKING STOCK far more than just the sum of all its parts.

Yes, the film loses a little focus as it hurtles, chaotically towards its conclusion, and yes, Kate’s plan is ludicrous, but then that’s half the point. Desperate times call for desperate measures, and the film plays on the classic movie conventions of the heist thriller: assembling the team, meetings in shadowy surroundings, femme fatales, boo-hiss villains, double crosses and lots of running around (in high heels no less), and yet, beyond such tropes, there is quite a bit of fun to be had.

One particularly elaborate moment, involving stealing some keys, a car accident and plenty of built up tension, ends with the line; “Lets go to Nandos.” It’s this subversion that marks TAKING STOCK out as something refreshingly different. A movie that knows its a movie, but also not afraid to add a hefty dose of bitter in with the sweet. It’s a hard line to tow, a balancing act that has failed many times in the past, yet Murphy has enough intelligence to never play the characters dumb.

At one point, Kate asks Matt; “What do you want?” to which he simply replies “A garage.” It’s a nice touch, reminding you that behind the humour, the slapstick and the lipstick, these are real people, whose aspirations are not exactly world domination.

Everyone deserves to be happy.

Do yourself a favour, take stock.

Other Information:

Original Language en
Runtime 1 hr 15 min (75 min)
Budget 0
Revenue 0
Status Released
Rated N/A
Genre Comedy, Crime, Drama
Director Maeve Murphy
Writer Maeve Murphy
Actors Kelly Brook, Georgia Groome, Lorna Brown
Country United Kingdom
Awards 13 wins
Production Company N/A
Website N/A

Technical Information:

Sound Mix N/A
Aspect Ratio N/A
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format N/A
Cinematographic Process N/A
Printed Film Format N/A